?。ㄞD自IMDB）Pierre is a shy man whose sole focus in life is studying astrology in solitude, which is often difficult since he still lives at and studies in his parent's house. His parent's would rather he date and get married. He takes on this task with verve. Not knowing how to approach women in a romantic way, he watches how other men operate and tries to emulate them, most often without success. He ends up attracting the one woman he doesn't really want, a fun loving woman named Laurence who lives next door, but he becomes obsessed with Stella, a singer he sees on television. He believes her love song is being sung directly to him. As Pierre tries to get away from Laurence while pursuing Stella, he may miss the perfect match who may be right under his nose. Written by Huggo

一家大型馬戲團的馬戲團經(jīng)營(yíng)者和他的體操運動(dòng)員朋友們忙于生活，并試圖將已經(jīng)消失的馬戲團文化帶回給公眾。

兒子湯米（Ty Panitz 飾）的失蹤讓警長(cháng)湯姆（喬·哈姆 Jon Hamm 飾）陷入了悲傷和自責之中，為了緩解失去兒子的痛苦，他只能把自己全部投入到繁忙的工作中去。一具男孩尸體的被發(fā)現讓湯姆的心吊到了嗓子眼，經(jīng)過(guò)調查和鑒定，男孩已經(jīng)死了50年了，他并非湯米。這一結果讓湯姆既高興有悲傷，高興的是這具尸體并不是湯米，悲傷的是湯米至今仍然生死未卜。湯姆自愿接手了這一棘手的案件，隨著(zhù)調查的深入，一個(gè)名叫馬修（喬什·盧卡斯 Josh Lucas 飾）的男人和馬修的兒子約翰（吉米·本內特 Jimmy Bennett 飾）的身影浮出了水面，令湯姆震驚的是，他正在調查的這個(gè)案件與在自己身上發(fā)生的不幸竟然驚人的相似

西班牙農村青年米凱爾到巴塞羅納城謀生。搬運工的繁重勞動(dòng)和微薄收入，加上中間人的盤(pán)剝使米凱爾對城市的幻想產(chǎn)生破滅，也喪失了生活信心?！?，他偶然發(fā)現了一個(gè)業(yè)余斗牛士學(xué)校。斗牛在西班牙是被視為收人較高而容易成名的職業(yè)。于是，他專(zhuān)心致志地學(xué)起斗牛。艱苦的斗牛訓練使為人聰敏伶俐的米凱爾，不久就成為一名杰出的斗牛士。榮譽(yù)和錢(qián)財隨之而來(lái)，他把父母從鄉間接到巴塞羅納城，住進(jìn)了自蓋的房屋。米凱爾受雇于某老板去美國... ....斗牛士米凱爾的命運將會(huì )如何呢?本片是半紀錄片半故事片的影片。通過(guò)一個(gè)青年成為斗牛士成功和失敗的經(jīng)歷，從一個(gè)側面反映了當代西班牙普通人民的生活和社會(huì )情況，包括失業(yè)增加，農民盲目流入城市以及斗牛競賽的黑暗內幕等，批判了資本主義社會(huì )金錢(qián)至上，摧殘生命的本質(zhì)。影片沒(méi)有曲折離奇的故事情節，導演以紀錄片的形式，客觀(guān)、細致入微地拍攝場(chǎng)景，使影片具有真實(shí)感和濃郁的生活氣息。影片畫(huà)面優(yōu)美，鏡頭活潑多變，剪輯明快。

史蒂芬和爸爸比爾及外公雷蒙搬進(jìn)了一棟祖先遺留下來(lái)的空房子，偌大的屋子裡卻瀰漫著(zhù)陰森的氣氛，這也激起了史蒂芬的好奇心和關(guān)注，他開(kāi)始拿著(zhù)攝影機錄下生活瑣事。日子久了，詭異的事情陸續發(fā)生，史蒂芬多次目睹怪異的現象以及聽(tīng)到有人在呼喊他的名字，這間房子究竟有著(zhù)什麼樣的神祕過(guò)往？

　　Malvís (Alfredo Landa) is sick of working like crazy for nothing. He'd rather become a bandit, that's much better, he's gonna be the fearful Fendetestas! He'll spread panic in the woods of his region. But there's a little problem: there aren't much people living in his region, everyone knows everyone and everyone is so poor, so is gonna be difficult that someone takes Malvís/Fendetestas too seriously.
　　This is a magic history, so funny, and full of situations that will make you laugh. It's also full of characters that belong to the Spanish idiosyncrasy: the strict priest, the Guardia Civil, the old devout women, the village idiot... there's even a lost soul wandering around the woods.
　　The great Alfredo Landa heads a cast that gathered together the best two generations of Spanish scene: from Fernando Rey to Encarna Paso, from Manuel Alexandre to María Isbert... A cast like that would be just unthinkable nowadays. "El Bosque Animado" was the first movie of José Luis Cuerda's trilogy of rural comedies (after this one he made the surreal "Amanece Que No Es Poco", and "Así En El Cielo Como En La Tierra". Those are movies so personal that stress the Spanish culture. The young directors should take note of films like "El Bosque Animado", instead of trying to be the new "enfant terrible" and imitating US worst cinema.