簡(jiǎn)介：夜深人靜，白日的束縛悄然褪去，是時(shí)候迎接真實(shí)的自己。在這里，我們?yōu)槟鷾蕚淞艘粓?chǎng)感官的極致盛宴。每一次心跳，都是對寂寞長(cháng)夜最有力的回擊。探索未知，體驗前所未有的私密與刺激。別再壓抑，點(diǎn)擊開(kāi)啟屬于你的午夜狂歡。

簡(jiǎn)介：賭王十年前被仇人陷害，妻子被仇家所奪，孩子也被別人殘忍殺害，他的家財竟然也被仇人全部霸占，他自己也被陷害鋃鐺入獄！十年之后，賭王終于出獄歸來(lái)，他的賭技在這十年中也越發(fā)純熟，于是，他開(kāi)始一步一步地展開(kāi)驚天的復仇計劃......

簡(jiǎn)介：

一個(gè)被閃電擊中的武士醒來(lái)后發(fā)現自己在現代的一個(gè)片場(chǎng)中，并開(kāi)始擔任武士電影的臨時(shí)演員。

簡(jiǎn)介：為了能夠發(fā)現超自然力量的存在，五名電影學(xué)院的學(xué)生打算從傳奇皇后醫院里著(zhù)aaa。但是隨著(zhù)太陽(yáng)的落山，他們經(jīng)歷了他們無(wú)法想象的糟糕事情，他們發(fā)現自己被一群嗜血瘋人追殺…….

簡(jiǎn)介：泰國郊外的古廟有個(gè)可怕的詛咒。年輕盜墓者歐弟，在古廟挖出一條二戰時(shí)期的黃金腳煉，占為己有的他因此觸犯詛咒，身體肌膚變成蛇鱗，強大的詛咒讓他十分痛苦，也再次召喚出古墓厲鬼。在與尋求復仇的惡鬼時(shí)間賽跑中，因詛咒纏身快死的阿弟，與狐群狗黨噗嚨共好友們，布倫、阿一、玄兵，以及潘潘，將遠赴泰國東北湄公河一座傳說(shuō)中的雨林古寺，尋找破解詛咒的秘密。

簡(jiǎn)介：清朝初年，朝廷有令民間不得習武，少林寺方丈深知這是清廷視武學(xué)發(fā)源地的少林寺為肉中刺欲除掉的結果，預感少林寺遲早會(huì )遭大劫，決定廣收俗家弟子予以栽培，將少林絕學(xué)遍布民間，以期造成“野草燒不盡”之勢。消息一出，渴望習武的血性男兒紛紛響應，其中以方世玉（傅聲 飾）、胡惠干（戚冠軍 飾）、洪熙官（韋弘 飾）等人求武之心最誠，終入少林寺大門(mén)，與他們一同入寺的還有胡德帝（姜大衛 飾）、蔡德忠（狄龍 飾）等反清義士。眾人雖為大義而來(lái)，各人心里卻有不同的想法。成為正義一方的方世玉與胡德帝等人以少林絕學(xué)了卻自己的仇恨后，發(fā)覺(jué)清兵已對少林寺展開(kāi)偷襲行動(dòng)，決意為少林寺赴湯蹈火。

簡(jiǎn)介：　　遼東才子王爾烈與陳月琴情投意合，因時(shí)代、階級的束縛，無(wú)法成婚，陳月琴絕望之際選擇出家，心灰意冷的王爾烈也選擇了在關(guān)外的佛門(mén)圣地龍泉寺過(guò)著(zhù)“半朝孔圣半朝佛”的寒窗苦讀的日子。一日，苦熬相思的王爾烈在半夢(mèng)半醒之中，竟夢(mèng)回三百年后新中國下的鞍山，在這里，王爾烈遇見(jiàn)了與朝思暮想的陳月琴一模一樣的女子子墨，發(fā)生了一段奇幻浪漫的愛(ài)情故事。

簡(jiǎn)介：表面上，瑪麗莎·柯茲·威爾遜有著(zhù)叫人艷羨的生活：嫁給了著(zhù)名的特務(wù)追蹤電視新聞?dòng)浾?，剛生下了一個(gè)可愛(ài)的小寶寶，還有一對聰明伶俐的繼子繼女，但其實(shí)瑪麗莎是個(gè)退休的特務(wù)。當瘋狂的時(shí)間控制者發(fā)出警告說(shuō)要偷走時(shí)間并征服全世界的時(shí)候，瑪麗莎的生活發(fā)生了翻天覆地的變化。繼女瑞貝卡和繼子塞西也被卷入了戰爭，而他們發(fā)現自己無(wú)聊透頂的繼母居然是曾經(jīng)最棒的特務(wù)。帶著(zhù)令人眼界大開(kāi)的新奇裝備，非常小特務(wù)們非常有可能依靠智慧再一次拯救世界，并且讓全家人團聚。

簡(jiǎn)介：　　一名女記者遇到了一名持槍搶劫者，她并沒(méi)有簡(jiǎn)單的選擇報警，而是與之接觸，當女記者與搶劫者達到心靈溝通時(shí)，這名持槍搶劫者做出了影響他一生的決定……

簡(jiǎn)介：The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. L?nborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merl?se Church.　　On 4 July, Dreyer went in advance to Ringk?bing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

簡(jiǎn)介：講述了一個(gè)導演拍電影的故事?！　”酒ㄟ^(guò)主角晨風(fēng)電影找投資，講述了中國電影行業(yè)5年來(lái)所謂的畸形的“電影盛世”，也即是晨風(fēng)的電影之路?！　≡撈瑸橄s鳴知了第一部電影長(cháng)片作品。

簡(jiǎn)介：After escaping abduction, a frantic woman must coerce an exhausted truck driver to hide in the back of her truck for the night. The two women take refuge not knowing what the rest of the night has in store.