簡(jiǎn)介：夜深人靜，白日的束縛悄然褪去，是時(shí)候迎接真實(shí)的自己。在這里，我們?yōu)槟鷾蕚淞艘粓?chǎng)感官的極致盛宴。每一次心跳，都是對寂寞長(cháng)夜最有力的回擊。探索未知，體驗前所未有的私密與刺激。別再壓抑，點(diǎn)擊開(kāi)啟屬于你的午夜狂歡。

簡(jiǎn)介：表面上，瑪麗莎·柯茲·威爾遜有著(zhù)叫人艷羨的生活：嫁給了著(zhù)名的特務(wù)追蹤電視新聞?dòng)浾?，剛生下了一個(gè)可愛(ài)的小寶寶，還有一對聰明伶俐的繼子繼女，但其實(shí)瑪麗莎是個(gè)退休的特務(wù)。當瘋狂的時(shí)間控制者發(fā)出警告說(shuō)要偷走時(shí)間并征服全世界的時(shí)候，瑪麗莎的生活發(fā)生了翻天覆地的變化。繼女瑞貝卡和繼子塞西也被卷入了戰爭，而他們發(fā)現自己無(wú)聊透頂的繼母居然是曾經(jīng)最棒的特務(wù)。帶著(zhù)令人眼界大開(kāi)的新奇裝備，非常小特務(wù)們非常有可能依靠智慧再一次拯救世界，并且讓全家人團聚。

簡(jiǎn)介：　　一名女記者遇到了一名持槍搶劫者，她并沒(méi)有簡(jiǎn)單的選擇報警，而是與之接觸，當女記者與搶劫者達到心靈溝通時(shí)，這名持槍搶劫者做出了影響他一生的決定……

簡(jiǎn)介：The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. L?nborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merl?se Church.　　On 4 July, Dreyer went in advance to Ringk?bing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

簡(jiǎn)介：講述了一個(gè)導演拍電影的故事?！　”酒ㄟ^(guò)主角晨風(fēng)電影找投資，講述了中國電影行業(yè)5年來(lái)所謂的畸形的“電影盛世”，也即是晨風(fēng)的電影之路?！　≡撈瑸橄s鳴知了第一部電影長(cháng)片作品。

簡(jiǎn)介：After escaping abduction, a frantic woman must coerce an exhausted truck driver to hide in the back of her truck for the night. The two women take refuge not knowing what the rest of the night has in store.

簡(jiǎn)介：Soo-jung is camping on Jukdo Beach, while Jung-yong has left there for a long time and returned. Soo-jung and Jung-yong inevitably meet surfing on the beach. Besides, Jukdo Beach, which emerged as a surfing hot place, gets sick and tired of the heat as time goes by and the girl surfer Beezoo is finally destined to leave there.

簡(jiǎn)介：

杰克·羅瑟（艾倫·艾克哈特飾）的狗在貧民窟被殺后，他深入險惡的地下世界，尋找真相，查明誰(shuí)是罪魁禍首。

簡(jiǎn)介：24 歲的夏南·吉爾伯特在一天晚上神秘失蹤，她的母親瑪麗（榮獲奧斯卡金像獎提名的艾米·瑞恩飾）踏上了一段未知的旅程，她直面關(guān)于女兒、自己和警察偏見(jiàn)的殘酷事實(shí)。決心不惜一切代價(jià)找到女兒的瑪麗·吉爾伯特找遍了夏南最后已知的足跡，在長(cháng)島荒涼的外河岸附近一個(gè)封閉的社區開(kāi)始她的調查。她的發(fā)現迫使執法部門(mén)和媒體揭露了十幾起性工作者被謀殺的懸案，瑪麗不會(huì )讓世界遺忘這些年輕的生命?！妒й櫯ⅰ犯木幾粤_伯特·科爾克爾的同名暢銷(xiāo)非虛構書(shū)籍，由 Archer Gray 的安妮·凱瑞（《你能原諒我嗎？》《二十世紀女人》）擔任制片人，由兩次獲得奧斯卡金像獎提名的麗茲·加巴斯（《第四等級》《 妮娜·西蒙：女伶的靈魂》）擔任導演，托馬辛·麥肯齊、加布里埃爾·伯恩和羅拉·科克擔任聯(lián)合主演。

簡(jiǎn)介：從重刑釋放犯“陳志輝”的犯罪心理變化為切入點(diǎn)，對犯罪過(guò)程細致的表達揭露了人性的罪惡。片中男主角“陳志輝”刑滿(mǎn)釋放后，時(shí)隔多年再次回到社會(huì )，對一些事物的看法還停留在多年前，對未來(lái)之路的選擇上猶豫不定，在遇到了由黃圣依、張靜初、陳思成、余少群、郝蕾、巍子等扮演的一些人物后徹底改變了他的想法，并最終再次走上犯罪道路。影片中“罪犯”與“良民”兩種不同人物的展現，全面的揭露了人性的罪惡。

簡(jiǎn)介：練習太極多年的馬老師為了幫助中國傳統文化走向世界首次出演電影，參與該電影的還有李連杰、甄子丹、吳京、鄒市明、朝青龍、托尼·賈、向佐、劉承羽，武術(shù)指導袁和平、洪金寶、程小東，大家齊心協(xié)力通過(guò)影片向中國功夫做過(guò)貢獻的前輩致敬，同時(shí)與全世界分享中國文化。

簡(jiǎn)介：曾經(jīng)叱咤風(fēng)云的拉力賽車(chē)手張馳（沈騰 飾），五年前因私自賽車(chē)而被禁賽。從天堂跌落谷底，張馳飽嘗生活的艱辛。他忍辱負重，洗心革面，終于爭取到了解禁的判決。在此之后，他重新找到親如兄弟的領(lǐng)航員孫宇強（尹正 飾），決心共同沖擊本年度的巴音布魯克拉力賽。然而在此之前，張馳必須重考駕照，改裝賽車(chē)，拉到贊助。每一步都充滿(mǎn)艱難，他忍受著(zhù)旁人的奚落嘲諷，忍受著(zhù)現實(shí)的冰冷殘酷，無(wú)論如何都不改變前進(jìn)的目標。當他好不容易走到了賽場(chǎng)，還將面對禁賽這幾年崛起的新秀林臻東（黃景瑜 飾）的挑戰。張馳的時(shí)代是否就此遠去……