簡(jiǎn)介：夜深人靜，白日的束縛悄然褪去，是時(shí)候迎接真實(shí)的自己。在這里，我們?yōu)槟鷾蕚淞艘粓?chǎng)感官的極致盛宴。每一次心跳，都是對寂寞長(cháng)夜最有力的回擊。探索未知，體驗前所未有的私密與刺激。別再壓抑，點(diǎn)擊開(kāi)啟屬于你的午夜狂歡。

簡(jiǎn)介：關(guān)于二戰的電影是波蘭電影學(xué)院派經(jīng)常拍攝的話(huà)題。在《如何被愛(ài)》中哈斯把只是把戰爭作為背景，講述兩個(gè)普通人的悲劇感情故事。女主角為了愛(ài)情的無(wú)私奉獻最后反而成為了她深?lèi)?ài)的男人的負擔，在某種意義上毀掉了后者的生活。這一切都是在戰爭的環(huán)境下發(fā)生的，正如女主角講的，開(kāi)始以為生活就是自己身邊的事，后來(lái)才發(fā)現整個(gè)國家都和你有關(guān)。而男主角最后也說(shuō)道，我們都是被卷入戰爭的普通人。

簡(jiǎn)介：故事發(fā)生在巴西東北部，一名工人出于自衛殺死了老板，開(kāi)始逃亡。一路上他目睹地主對農民的殘酷剝削，便發(fā)奮當了一名俠客兼土匪，宣傳暴力革命，還土地于人民。這是一部非常暴力的政治影片，其主題和傾向非常明顯，但片中融合了大量民俗的元素?！　”酒槐姸嘣u論家譽(yù)為是巴西電影史上最重要的一部電影。這是一部刻畫(huà)人物生動(dòng)的，給人深刻不滅印象的電影杰作，多來(lái)一直被認為是巴西乃至整個(gè)南美電影史上永恒的一部杰作。

簡(jiǎn)介：根據詩(shī)人臥夫自殺的真實(shí)事件改編，講述了詩(shī)人狼在春暖花開(kāi)之時(shí)選擇在遠離城市的山中死亡的故事，首次探討中國當代詩(shī)人的困惑、堪稱(chēng)文藝片佳作。

簡(jiǎn)介：因犯規被罰出場(chǎng)的守門(mén)員布洛赫，在維也納街頭漫無(wú)目的地閒逛。他遇到了戲院售票員葛蘿莉亞，並跟蹤她到飛機場(chǎng)附近的荒涼公寓，卻莫名其妙殺了人。布洛赫逃到鄉間繼續漫遊，不時(shí)看報紙關(guān)注案情進(jìn)展…

簡(jiǎn)介：eee一場(chǎng)大火侵襲的熊谷國家公園，在救援人員奮力撲火之時(shí)，動(dòng)物們也紛紛失控，還有一只未被發(fā)現過(guò)的大怪獸……

簡(jiǎn)介：Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor

簡(jiǎn)介：

　　Having weathered marriage pressures from family and friends in the first movie of the series, Efsun is now with the man of her dreams, Sinan. But the complications facing her love life don't get any less. As if her own chaotic family wasn't enough, she now has to contend with Sinan's - his grandmother, Cavide, in particular - and things quickly spin out of control. Will she make it through hell and high water to fulfill her dream of a peaceful life with Sinan? Does she really want the wedding everyone else has decided on for her? Written by 

簡(jiǎn)介：情報科竊聽(tīng)小組三兄弟情同手足，梁俊義（劉青云飾）正直而又懦弱，在個(gè)人感情問(wèn)題上托泥帶水；楊真（古天樂(lè )飾）家境窘困，不僅要應付身患白血病兒子的隨時(shí)可能出現的突發(fā)情況，而且自己也病入膏肓，命不久矣；林一祥（吳彥祖飾）年輕有為，滿(mǎn)懷雄心，如今又“嫁入豪門(mén)”，前途不可限量。三兄弟在負責調查上市公司“風(fēng)華國際”涉嫌內幕交易案起始，通力合作，出色的完成了布置各種偷聽(tīng)及監視儀器的工作...

簡(jiǎn)介：哲學(xué)教授兼作家哈利（摩根·弗里曼 飾）經(jīng)常光顧一間咖啡店，在那里目睹了形形色色的愛(ài)情故事?？Х鹊昀习宀祭吕ǜ窭赘瘛そ鹉釥?飾）因與妻子凱斯林（塞爾瑪·布萊爾 飾）離婚而陷入苦悶，他為此與偶遇的房地產(chǎn)經(jīng)紀人戴安娜（拉達·米切爾 飾）閃電結婚，又因后者對已婚情人大衛（比利·巴奇 飾）念念不忘，閃電離婚。絕望的布拉德利嘗試和愛(ài)犬為伴，然而美貌溫柔的阿加莎（米茜·派爾 飾）意外出現，打亂了他的心。與此同時(shí)，咖啡店的服務(wù)生奧斯卡（托比·海明威 飾）和克羅伊（愛(ài)麗克莎·黛奧洛斯 飾）走在了一起，他們?yōu)楣餐奈磥?lái)制定種種計劃，并對家庭生活產(chǎn)生了無(wú)限的憧憬……

簡(jiǎn)介：南宋時(shí)期，良家女子李慧娘因抨擊時(shí)弊被奸相賈似道殺害，含冤九泉之下的李慧娘陰魂不散，化作幽靈飄回人間，報仇雪恨賈似道對太學(xué)生裴舜卿恨之入骨，設計騙其進(jìn)賈府，伺機謀aaa。掌握生死大權的明鏡判官生性愛(ài)憎分明，讓在陰曹地府的李慧娘暫回人間搭救裴舜卿，慧娘手執判官相贈的陰陽(yáng)扇，來(lái)到囚禁裴舜卿的房?jì)?，裴?jiàn)李深夜探訪(fǎng)，疑心重重?；勰锏莱鲈?，舜卿方知慧娘是一大情大義之人，并不知道眼前的美人是個(gè)鬼魂，心生憐憫與愛(ài)意。光陰恨短，李慧娘趁雄雞報曉之前離開(kāi)了裴舜卿?；氐疥庨g，冥冥之中感覺(jué)三更時(shí)分裴舜卿有殺身之禍.

簡(jiǎn)介：Remi throws himself on the ground, listens to birds and falls asleep in hedges. Gabriel opens his stomach to the tip of a knife. They meet.