簡(jiǎn)介：夜深人靜，白日的束縛悄然褪去，是時(shí)候迎接真實(shí)的自己。在這里，我們?yōu)槟鷾蕚淞艘粓?chǎng)感官的極致盛宴。每一次心跳，都是對寂寞長(cháng)夜最有力的回擊。探索未知，體驗前所未有的私密與刺激。別再壓抑，點(diǎn)擊開(kāi)啟屬于你的午夜狂歡。

簡(jiǎn)介：

　　Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.'
　　By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses.
　　Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together.
　　One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature: he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around.
　　While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next: the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with his/her partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken.
　　Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...

簡(jiǎn)介：

　　《逆流而上》講述了1932年，國民黨反動(dòng)派對蘇區及各根據地發(fā)動(dòng)圍剿，我黨在上海的地下斗爭進(jìn)入白熱化。為了支援根據地艱苦的反圍剿戰斗，上海地下的同志劫走日本駐軍四噸黃金。日軍向國民黨黨務(wù)調查科上海站施壓，要求三天內必須追回黃金。同時(shí)，調查科意外獲悉，共產(chǎn)黨將向上海地下派遣新的負責人，會(huì )在三天后與潛伏在調查科的地下黨接洽。他們將要在三天內，追回黃金，圍剿中共地下黨，中共地下黨們該如何應對這場(chǎng)戰斗呢？

簡(jiǎn)介：寒山寺傳來(lái)的陣陣鐘聲，把姑蘇古城從晨靄中喚醒。女導游陳藹然又開(kāi)始了緊張繁忙的一天。華裔老人宋尚清迢迢萬(wàn)里來(lái)到姑蘇，不料卻拒絕了旅行社為他安排一切活動(dòng)，將自己孤零零地反鎖在飯店的臥室里，足不出戶(hù)。面對如此古怪的游客，陳藹然憑借自己多年積累的接待經(jīng)驗，幾番與老人接觸，弄清楚事情的原因。原來(lái)，宋尚清祖籍山東，幼年時(shí)因家境貧困去海外謀生。幾十年中，他歷經(jīng)人世間的冷漠和欺凌，孤身一人頑強拼搏，終于薄積資產(chǎn)。這次他回祖國的目的，是想尋覓往昔的寧靜和鄉音，以緩解埋藏在心靈深處的傷痛。陳藹然理解宋尚清的心情。她以自己的情感和真誠，使老人感受到祖國的溫暖，恢復了生活的樂(lè )趣。宋尚清巧遇族親宋盼，沒(méi)料到竟是自己老部下宋國雄的兒子，老人悲喜交加。陳藹然得如此事，積極為宋尚清安排，使老人和國內親屬團聚。最后，宋尚清將宋氏先祖宋維的傳家之寶犀牛角杯獻給了古城，高興地踏上歸途。老人走后，陳藹然又開(kāi)始接待日本旅游團。旅游團隨員今野向她透露，團員鬼冢在戰爭期間失去了僅有的兩個(gè)兒子，孤身一人，對生活已失去信心，幾次自殺未遂。團員田畑武雄則在侵華戰爭中充當炮灰，參與搶劫了一名中國婦女的兩枚戒指，這次懷著(zhù)贖罪的心情重訪(fǎng)故地。陳藹然聽(tīng)完今野的介紹，對他倆懷著(zhù)復雜的心情，因為她自己的祖父是在南京大屠殺中喪生的。但她從大局出發(fā)，以禮相待這兩位日本游客，使他們安心而歸。華裔青年麥阿大和阿方被父母送回內地戒毒。他倆不斷被毒癮所折磨，以致失去戒毒的信心。陳藹然對他倆曉之以禮，動(dòng)之以情，終于使兄弟倆堅定了戒毒的信心，開(kāi)始新的生活。陳藹然雖然對工作、對他人滿(mǎn)腔熱情，可是對自己的婚姻問(wèn)題卻沒(méi)有激情。她自稱(chēng)是一個(gè)獨身主義者，但內心深處卻默默地愛(ài)著(zhù)為她輔導唐詩(shī)的李老師。她的外國女友露易斯自稱(chēng)既不當妻子，也不想做母親，但暗中對李老師一往情深。這使三人都陷入了復雜的感情漩渦。陳藹然將如何選擇和安排她的個(gè)人生活呢？

簡(jiǎn)介：改編自小說(shuō)《南宋第一臥底》，講述了南宋年間，錢(qián)塘縣捕頭沈墨(唐禹哲飾)被迫卷入一宗鬼樊樓血案，從而一步步揭開(kāi)一個(gè)不為人知的驚天秘密的故事。

簡(jiǎn)介：《長(cháng)生劫》是一部雙男主電影，為系列人氣電影《男狐聊齋》的第三部作品，講述了凡人少年云月（高凱 飾）獨活世間三百年，一直追尋自己長(cháng)生的秘密。而青丘山狐族少主白辰（漆培鑫 飾）得姑姑白九顏指點(diǎn)，還了塵世恩情，便可飛升成仙。機緣巧合下塵世中白辰與凡人云月的相遇，讓這段因緣蒙上了神秘面紗。

簡(jiǎn)介：This movie was the most illogical and stupid movie EVER made. If the FBI would have been called in once it was officially a kidnapping, the movie would have been over in 20 minutes and all of the people involved would have been in jail. Instead, the people searching for the kidnapped kid, bumble their way through two hours of absolutely unpredictable stupidity.

簡(jiǎn)介：酒祖杜康的后人杜皮，慘淡經(jīng)營(yíng)一間小酒吧，酒吧的調酒師賀童本是竹林七賢之一的劉伶轉世，專(zhuān)為盜杜康酒的配方而bbb。杜皮手中有一張祖傳的杜康畫(huà)像，地仙杜子春透露，杜康酒配方和釀造方法就隱藏在這張杜康畫(huà)像中。機緣巧合之下，杜皮和賀童發(fā)現，這張杜康畫(huà)像竟然有穿梭時(shí)空的神奇功能。于是，以杜康畫(huà)像為媒介，同時(shí)，也為了尋找杜康酒的配方和釀造方法，賀童帶著(zhù)杜皮以及三個(gè)酒吧里的女招待一起穿古越今，和中國歷史上的諸多名人紛紛邂逅，一段段奇幻的經(jīng)歷也就此展開(kāi)。

簡(jiǎn)介：影片主要講述了明成祖朱棣時(shí)期，設立秘密軍情組織——九門(mén)，監察百官，掌控京城人心動(dòng)向。時(shí)至明中期，兵部尚書(shū)私藏軍餉意圖謀反，作為京城最強的秘密刺客組織，九門(mén)再次受命調查案件。然而，此次案件盤(pán)根錯節，事情遠遠超出眾人的想象，就連九門(mén)內部的勢力也深陷其中......

簡(jiǎn)介：克拉拉和亞歷杭德羅準備搬新家，可是亞歷杭德羅正好去出差，留下她一個(gè)人呆著(zhù)，被搬家的紙盒子包圍。這種混亂不堪的環(huán)境迫使她嘗試新的生活體驗，她開(kāi)始質(zhì)疑這個(gè)世界的封閉和束縛。

簡(jiǎn)介：

影片故事設置在上世紀70年代的澳大利亞，講述一個(gè)原本安靜的小鎮，因一頭藍鯨被沖到當地海灘上，突然成為了人們關(guān)注的焦點(diǎn)。當地人便以自己獨特的方式慶祝。

簡(jiǎn)介：先皇早逝，新登基的皇上拓跋宏年紀尚小，朝中大權被太后把持，一手遮天。太后為了保全幼主皇位、控制政權。還毒死了與皇上情同手足的另一皇族后裔——拓跋如意。為此，拓跋宏與太后決裂，整日醉生夢(mèng)死，不理朝政。內閣總管李公公將京城以琴瑟聞名一絕的少年李湘書(shū)引入宮中。自此，李湘書(shū)日日陪伴在皇帝左右。李湘書(shū)也被滿(mǎn)朝文武視為亡國妖孽。然而除一人之外，宮廷上下都不知這其中其實(shí)另有深意。只到影片的最后一幕，所有的懸念方才解開(kāi)。