簡(jiǎn)介：夜深人靜，白日的束縛悄然褪去，是時(shí)候迎接真實(shí)的自己。在這里，我們?yōu)槟鷾蕚淞艘粓?chǎng)感官的極致盛宴。每一次心跳，都是對寂寞長(cháng)夜最有力的回擊。探索未知，體驗前所未有的私密與刺激。別再壓抑，點(diǎn)擊開(kāi)啟屬于你的午夜狂歡。

簡(jiǎn)介：Ok, folks, this is my last Ishii upload. Totsugeki! Hakata gurentai is his first feature and last 8mm film. Haven't watched it yet myself, but from the looks of it, this is very much reminescent of eighties and nineties v-cinema, sort of like early Miike (only made in 1978). There is considerably more dialogue than in his earlier films, but it doesn't seem too complicated plotwise.

簡(jiǎn)介：A Chicago ghost story about isolation.

簡(jiǎn)介：本作品是提出“導演絕對主義”的電影實(shí)驗公司“Cinema Lab”的一部作品。除了上田之外，本廣克行、押井守、中小和哉也參加了該唱片公司。

簡(jiǎn)介：一個(gè)上海姑娘顧曉霖來(lái)到鄱陽(yáng)湖小島，她說(shuō)來(lái)拜訪(fǎng)一位女知青，在這里教了一輩子書(shū)的劉老師。實(shí)際上她是來(lái)憑吊大學(xué)時(shí)的戀人潘岳，也就是劉老師的兒子，當年因為畢業(yè)時(shí)潘岳要回到這里，他們才分手的。 自從唯一的兒子死后，劉老師就一病不起，已經(jīng)好久沒(méi)來(lái)學(xué)校上課了?？h里曾派過(guò)幾個(gè)老師來(lái)這里，但都因條件太苦而先后離去。村長(cháng)騙她留下來(lái)等劉老師，順便代課，好應付縣教委檢查農村教育工作的事。她的留下使學(xué)校終于開(kāi)課了。在代課的這段時(shí)間里，她隱隱地感悟到了潘岳為何放棄都市，放棄愛(ài)情的選擇，感悟到了他母親劉老師為何在這里三十多年教書(shū)的選擇，也理解了孩子們渴望老師，渴望知識的愿望，最終，她選擇了成為一名鄉村女教師。

簡(jiǎn)介：Inspired by W.G. Sebald’s book and based on WWII archive footage, the film puts forward the question is it morally acceptable to use civilian population as a means of war Is it possible to justify mass destruction for the sake of higher “moral” ideals The question remains as relevant today, as it was 80 years ago, and its urgency is tragically manifested in the current events.

簡(jiǎn)介：It is Friday night and five friends gather at a house in rural Australia. Their parents are out of town and it is time to celebrate the end of another school week. No big deal; just a few drinks, a few laughs. As the night grows later, the teens reach a state of alcohol-induced openness. They reveal secrets, crushes and an unintentionally cruel streak. The final year of high school can be paradoxical. Having found some passions and close friends, you often begin to understand your own identity for the first time. And yet, still so young, you can't deny that you've so much to learn about yourself and the world. Maybe, despite thirteen straight years of schooling, you kind of don't know anything. A tribute to an awkward phase that we have all made it through and have powerful memories of, About An Age is a nostalgic coming-of-age film. With charm and authenticity, it examines themes of responsibility, first love and the passing of time via one single evening shared by a group of playful mates.

簡(jiǎn)介：阿尼姆斯是男性的偶像，阿尼瑪是女性的偶像，一直看著(zhù)美麗的東西長(cháng)大的姐姐和弟弟在追求真美的過(guò)程中，也是在各自追求彼此的阿尼姆斯和阿尼瑪。本片的導演是29歲的唯美派新銳女導演齊藤玲子，受維恩分離畫(huà)派大師克里姆多的杰作《接吻》啟發(fā)，制作出這部唯美主義的作品，讓有著(zhù)獨特存在感的兩位主角很自然地把一對美麗的姐弟演出來(lái)。

簡(jiǎn)介：Dong-hyeon and Yong-joon coincidentally meet at an acting audition. A strange gentleman appears in front of the both of them who are sick of failing at these auditions and suggests something to them. Meanwhile, Ayaka comes to Korea with her best friend Saori to meet her fiancé, Min-joon's parents. She runs into Dong-hyeon and Yong-joon who ask her to star in something and although she's not up for it, she's ushered into doing it by Shiori who loves handsome men. They move locations to a run-down facility and suddenly all exits are blocked and the four of them are trapped. Ayaka looks for an exit but instead finds cameras put up everywhere and gets the feeling that they are being watched. She suspects Yong-joon and Dong-hyeon of being behind this. Suddenly, young men overdosed with gas appear out of no where and try to rape Ayaka and Shiori. Dong-hyeon and Yong-joon fight them to save the women. All this is recorded live and sent to a crowd who is watching from a theater,enjoying it. Yong-joon and Shiori escape into another room but soon they are gassed and they suddenly want each other so bad. Then Shiori loses her mind and kills Yong-joon. Min-joon is watching this amongst the crowd at the theater. What happened between Ayaka and Min-joon...

簡(jiǎn)介：據說(shuō)長(cháng)子之塔藏有無(wú)盡的寶藏，引來(lái)了許多人的覬覦，也因此而喪生。約翰與麥可兩兄弟也在尋找此塔，他倆的重逢，勾起令人感傷的回憶，而感情恩怨使麥可想致胞兄于死地。一次暴風(fēng)使約翰生死未卜，約翰的獨生女黛安，為尋父而踏上危險之旅，在旅途中，她巧遇天文物里學(xué)家荷根，兩人結伴同行，而黛安的舊往情人拉西德王子總在危難之際現身解圍。荷根也漸漸愛(ài)上黛安，常常與拉西德?tīng)庯L(fēng)吃醋?！　∽詈髿v經(jīng)千辛萬(wàn)苦，眾人終于來(lái)到長(cháng)子之塔，一解千古之謎。

簡(jiǎn)介：紐約百老匯，戲劇導演Oscar Jaffe（約翰·巴里摩爾 John Barrymore 飾）捧紅了女演員Lily Garland（卡洛·朗白 Carole Lombard 飾），兩人成為百老匯票房保證，同時(shí)也是一對情侶。合作三年后，Lily因為受不了Oscar對她私人生活的過(guò)度干預，偷偷跑去了好萊塢演電影。Oscar一怒之下起用了新的女演員，可惜票房很差，還在芝加哥欠下了債。在從芝加哥回紐約的二十世紀列車(chē)上，Oscar機緣巧合又和Lily在同一列火車(chē)上。Oscar試圖挽回Lily，不管是愛(ài)情還是演戲，但Lily已經(jīng)有了另外的戀人，也對重新和Oscar合作不感興趣。這列火車(chē)上碰巧有一位腦子不大好使的大富翁，Oscar利用這個(gè)富翁給他開(kāi)了張支票，試圖以這張支票來(lái)讓Lily簽了演戲的合約。然而這位所謂“大富翁”原來(lái)不過(guò)是個(gè)精神病人，Oscar手中的支票毫無(wú)價(jià)值。心灰意冷的Oscar決定開(kāi)槍自盡......

簡(jiǎn)介：巴黎風(fēng)塵女郎瑪格麗特約見(jiàn)華維爾男爵卻與青年亞芒認識。后倆人在書(shū)店相遇，瑪得知亞芒每天送花探病，深受感動(dòng)邀其參加生日宴會(huì )。亞芒見(jiàn)她強顏歡笑更加憐惜，遂對她示愛(ài)。當晚男爵回來(lái)亞芒吃了閉門(mén)羹，懊悔之余斥責她無(wú)情，請求父親資助他出國旅行?，斱s去見(jiàn)他并互吐心意，瑪同意和男爵分手隨他到鄉下調養身體。亞芒父親勸瑪放棄亞芒，瑪因真心愛(ài)亞芒，為其著(zhù)想，騙亞芒與其分手。幾個(gè)月后亞芒與男爵及瑪在賭場(chǎng)相遇，不料亞滿(mǎn)大贏(yíng)，叫瑪隨他走，瑪拒絕，亞芒盛怒之下加以侮辱，并與男爵決斗，男爵受傷，亞芒畏罪潛逃?，斏?lèi)?ài)亞芒，卻拒絕任何資助，病情加重，待亞芒了解真相瑪已撒手人寰。