簡(jiǎn)介：夜深人靜，白日的束縛悄然褪去，是時(shí)候迎接真實(shí)的自己。在這里，我們?yōu)槟鷾蕚淞艘粓?chǎng)感官的極致盛宴。每一次心跳，都是對寂寞長(cháng)夜最有力的回擊。探索未知，體驗前所未有的私密與刺激。別再壓抑，點(diǎn)擊開(kāi)啟屬于你的午夜狂歡。

簡(jiǎn)介：一位攝影師被派去拍攝山上一朵罕見(jiàn)的花，發(fā)現了被困在非法伐木者藏匿的妓院中的婦女?，F在，他必須竭盡全力拯救他們

簡(jiǎn)介：皮蘭德婁去世時(shí)留下了明確的安排：不要給自己舉辦葬禮。但是影片中卻發(fā)生了三次葬禮。這部電影講述了皮蘭德婁的骨灰從羅馬到阿格里琴托的超現實(shí)之程。旅程中包含了種種奇妙的巧合：飛機因為古老的迷信沒(méi)有起飛；火車(chē)慢慢地向南方行駛……最后，皮蘭德婁的骨灰被撒到西西里海，形成了一個(gè)釘子的形狀?！夺斪印肥瞧ぬm德婁最后一部作品，靈感來(lái)自布魯克林的一起謀殺案和《混沌》中巴斯蒂安德杜這個(gè)人物。

簡(jiǎn)介：

A small Rhode Island community comes together to create special Halloween and Christmas moments several weeks early for an 8-year-old girl with a life threatening illness. 　　At the beginning of the film, the father (John Corbett) gives his ill daughter a snow globe of a little girl holding a snow globe, and inside that globe is another little girl holding a snow globe. The mother...

簡(jiǎn)介：萊昂諾是一位努力與生活纏斗，試圖養家糊口的中年婦女。當她無(wú)意間讀到劇本征集的廣告后，她想起了曾經(jīng)的電影生涯，想繼續年輕時(shí)未完成的劇本創(chuàng )作。天不遂人愿，突發(fā)的意外將她的身體困在病榻，靈魂卻因此闖進(jìn)了她創(chuàng )作的故事中，上演了一場(chǎng)又一場(chǎng)令人目不暇接、天馬行空的大冒險。

簡(jiǎn)介：

簡(jiǎn)介：

　　某廣告公司小職員太田喜一郎（妻夫木聰 飾）雖然充滿(mǎn)熱情，但是無(wú)論職場(chǎng)還是日常的人際交往都飽受挫折，偏偏他的上司大瀧一郎（豐川悅司 飾）又是自私自利、推諉塞責的人，以致于太田被他耍的團團轉。這一天，即將前往圣莫尼卡廣告節擔當評委的大瀧遇到棘手的難題，某金主客戶(hù)要求自家拍的無(wú)聊廣告必須在廣告界上獲獎，大瀧轉嫁危機，哄騙太田替自己去海外當評委。臨危受命的傻小子先跟隨資料室的鏡先生（Lily Franky 飾）學(xué)習評委技巧，之后拜托精英女同事阿光（北村景子 飾）假扮老婆隨行。在海外他們不僅遭遇強勁的對手木澤遙（鈴木京香 飾），還必須應對評委們千奇百怪的小伎倆。
　　過(guò)于駑鈍迂直的太田能否順利完成不可能的任務(wù)呢？

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簡(jiǎn)介：Salomé (1923), a silent film directed by Charles Bryant and starring Alla Nazimova, is a film adaptation of the Oscar Wilde play of the same name. The play itself is a loose retelling of the biblical story of King Herod and his execution of John the Baptist (here, as in Wilde's play, called Jokaanan) at the request of his stepdaughter, Salomé, whom he lusts after.　　Salomé is often called one of the first art films to be made in the U.S.[citation needed] The highly stylized costumes, exaggerated acting (even for the period), minimal sets, and absence of all but the most necessary props make for a screen image much more focused on atmosphere and on conveying a sense of the characters' individual heightened desires than on conventional plot development.　　Despite the film being only a little over an hour in length and having no real action to speak of, it cost over $350,000 to make. All the sets were constructed indoors to be able to have complete control over the lighting. The film was shot completely in black and white, matching the illustrations done by Aubrey Beardsley in the printed edition of Wilde's play. The costumes, designed by Natacha Rambova, used material only from Maison Lewis of Paris, such as the real silver lamé loincloths worn by the guards.　　No major studio would be associated with the film, and it was years after its completion before it was released, by a minor independent distributor. It was a complete failure at the time and marked the end of Nazimova's producing career.　　A longstanding rumor, which seems to have started while the film was still in production, suggests that its cast is comprised entirely of gay and bisexual actors in an homage to Oscar Wilde, as per star and producer Nazimova's demand. It is, of course, impossible to say, but one of the extras in Salomé reported that a number of the cast members—both featured and extras—were indeed gay, but not an unusual percentage of them, and certainly not all of them. What can be said is that Nazimova herself was a lesbian, the two guard characters (who, next to Salomé, have the most screen time) are at least played very stereotypically gay, and several of the female courtiers are men in drag.　　Salomé was screened in 1989 at the New York International Festival of Lesbian and Gay films and in 1990 at the New York Gay Experimental Film Festival.　　In 2000, the United States Library of Congress deemed the film culturally significant and selected it for preservation in the National Film Registry.

簡(jiǎn)介：

雅克·德米的第一部劇情長(cháng)片，是一部沒(méi)有歌曲的歌舞片，劇情描述法國青年羅蘭，迷戀酒吧舞女蘿拉。她是單親媽媽?zhuān)氉該狃B著(zhù)兒子，還癡心地以為拋棄他的男人會(huì )重返她身邊。

簡(jiǎn)介：自與約翰分手已有30年后，瑪麗安隱約感到約翰還需要她，于是她決定到約翰鄉下的家里去看望這個(gè)別了30年的老男人。他過(guò)著(zhù)富足但與世隔絕的生活，在兩個(gè)人之間，盡管很多年過(guò)去，當初的情感依然非常真實(shí)。在那里，瑪麗安認識了約翰與前妻的兒子恩里克，以及恩里克21 歲的女兒卡琳娜，他們住在離約翰家不遠的地方，但這老少三代人似乎并不和諧，瑪麗安感到了卡琳娜對父親恩里克的愛(ài)和約翰對兒子的不滿(mǎn)，三個(gè)心靈都非常孤獨的人之間有著(zhù)似乎無(wú)法消除的隔膜和愛(ài)恨交織的復雜情感。

簡(jiǎn)介：健身房經(jīng)理盧（克里斯汀·斯圖爾特 Kristen Stewart 飾）愛(ài)上了健美運動(dòng)員杰姬（凱蒂·M·奧布萊恩 Katy M. O'Brian 飾），后者來(lái)到拉斯維加斯追尋健美夢(mèng)想。她們卷入了一個(gè)暴力事件，背后正是盧的父親締造的犯罪網(wǎng)絡(luò )。