簡(jiǎn)介：夜深人靜，白日的束縛悄然褪去，是時(shí)候迎接真實(shí)的自己。在這里，我們?yōu)槟鷾蕚淞艘粓?chǎng)感官的極致盛宴。每一次心跳，都是對寂寞長(cháng)夜最有力的回擊。探索未知，體驗前所未有的私密與刺激。別再壓抑，點(diǎn)擊開(kāi)啟屬于你的午夜狂歡。

簡(jiǎn)介：John Stonemap教授任教于當地的大學(xué)，他做人的宗旨是不能用暴力解決一切的問(wèn)題。有一天，他懷孕的妻子被街上的小阿飛襲擊，John忍無(wú)可忍，竟錯手殺死了他。這件事被一個(gè)專(zhuān)門(mén)非法播放拳擊比賽的富翁知道，此后，阿John的生活便徹底改變了。富翁的手下抓住了阿John，并把他關(guān)在北極的一間小屋子里。比賽就在這里進(jìn)行，因此阿John無(wú)法逃避。在他的第一輪比賽里，他不肯殺死他的對手，但為了妻子的生命，他會(huì )因此而改變生意嗎？

簡(jiǎn)介：建筑師梁振宇與希迪籌備婚禮，偶遇分別多年的黃建恒并邀到家居住。途遇記者，被邀一起拍照留念，建恒父親原為南非鉆石商人。卻遭合伙人謀財害命．．．

簡(jiǎn)介：The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography.　　The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic.　　Gila Almagor in Tofano's siege is one of the first characters of the modern war widows to appear on Israeli cinema screens.　　The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film.　　It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief.　　Siege was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas.　　Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film.　　This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.

簡(jiǎn)介：10年前，鼎鼎大名的高中大哥大崔基東和消沉的模范生樸英俊去慶州教學(xué)旅行。在一個(gè)明月高懸的夜晚，他們經(jīng)歷了一場(chǎng)改變彼此命運的事件。10年后，兩人偶然邂逅在慶州。高中時(shí)那個(gè)“高中大哥大”崔基東成了一個(gè)多血質(zhì)的體育教師，而消沉的模范生卻成了一個(gè)智能黑幫。兩人想起10年前那一場(chǎng)事件，相握的手指不禁開(kāi)始用力。 　　那個(gè)女人，那個(gè)令人頭痛的女人，她悄然而至。她，閔周蘭，一雙憂(yōu)郁的眼睛能夠瞬間轉換眼淚與微笑。不象教師的教師和不象黑幫的黑幫，夾在兩個(gè)男人之間，她最關(guān)心的其實(shí)是不懂事的弟弟閔周燮。 　　一心相當樸英俊第二的閔周燮是崔基東學(xué)校里出了名的問(wèn)題學(xué)生。教師和黑幫，哪一種愛(ài)情戰略能夠打動(dòng)女人的芳心？ 　　愛(ài)情和友情之間周蘭被英俊的死對頭綁架，禍不單行，英俊的幫派面臨土崩瓦解。單兵作戰般困在敵陣之中的英俊，在愛(ài)情和友情之間彷徨的基東，還有將這一切看在眼里的周蘭.... 　　究竟，他們和慶州的明天將會(huì )是什么樣的結局？

簡(jiǎn)介：《姚明之年》是一部紀錄片，詳細記錄了姚明首個(gè)NBA賽季的經(jīng)歷。從成為NBA狀元秀，到最初表現糟糕，再到適應NBA后突然爆發(fā)，影片沒(méi)有放過(guò)姚明成長(cháng)的任何一個(gè)階段，其間還穿插有巴克利預言落空親吻驢屁股、“姚鯊對決”的臺前幕后等花絮。與此同時(shí)，影片還反映了姚明在翻譯科林·潘的幫助下努力學(xué)習跨越語(yǔ)言和文化障礙，適應比賽和生活環(huán)境等。

簡(jiǎn)介：

　　雇傭兵理查德·布魯梅雷，又名“拉·米斯特”（代號“迷霧”），曾是一名神秘的法國特勤局特工。由于 25 年前他為兒子阿奇博爾德?tīng)幦〉幕砻鈾啾蝗∠?，他不得不重操舊業(yè)。一場(chǎng)犯罪活動(dòng)威脅到阿奇博爾德的生命，為了拯救自己的兒子，理查德沒(méi)有更好的選擇，只好求助于他的舊相識，并與一群魯莽的年輕人和一名另類(lèi)的官僚合作。但對理查德來(lái)說(shuō)，最重要的是鼓起勇氣讓阿奇博爾德知道自己是他的父親。

簡(jiǎn)介：《撲通撲通花少年》的故事圍繞高瀚宇飾演的花千肉展開(kāi)，這位美少年天生身帶異香，并將自己的這一特質(zhì)融入祖傳絕技——蒸包子中，得到街坊鄰居的瘋狂追捧。然而由于在20歲之前還沒(méi)有找到真愛(ài)，少年體味兒突然變淡，包子生意岌岌可危。父母趕緊安排相親，使花千肉心煩意亂，決意離家出走。途中，他結識了任性傲嬌的千金小姐白子蝎（吳桐飾）、斯文“海歸”烏太賢（王修澤飾）、奇葩綁架犯一刀煞（張寧浩飾）、溫柔帥氣型男鹽寶（蔣一銘飾）。他們喜笑怒罵，發(fā)生了一系列令人啼笑皆非的故事，而在這過(guò)程中，幾人也各自找到了真愛(ài)。

簡(jiǎn)介：

來(lái)自月球的“機器鴨”阿泥，一個(gè)偶然的機會(huì )被大草原飛鴨家族的鴨媽媽收養，阿泥堅信自己和其它小鴨們一樣，渴望能夠展翅飛翔。

簡(jiǎn)介：

簡(jiǎn)介：講述了5個(gè)來(lái)自不同家庭的青少年，通過(guò)組建“哪吒樂(lè )隊”而引發(fā)出的各自不同的叛逆經(jīng)歷，也展示了來(lái)自社會(huì )、教育、家庭的矛盾現狀，劇情真實(shí)深刻，讓人產(chǎn)生共鳴，給人以深省。逆愛(ài)是一次青春的逆襲，同時(shí)也是一場(chǎng)因愛(ài)而生的人生反轉。青春不應在時(shí)代中和叛逆中溺亡，正確的引導和足夠的愛(ài)，可以讓叛逆不再是青春唯一的標簽。

簡(jiǎn)介：

　　During a cross-country lecture tour, notoriously acerbic radio personality Sheridan Whiteside slips on the icy steps of the house of the Stanleys, a prominent Ohio family, and is forced to recuperate in their home during the Christmas holidays. The overbearing, self-centered celebrity soon comes to dominate the lives of the residents and everyone else who enters the household. He encourages young adults Richard and June Stanley to pursue their dreams, much to the dismay of their conventional father Ernest.
　　Meanwhile, Whiteside's spinster assistant Maggie Cutler finds herself attracted to local newspaperman Bert Jefferson. When she reads Bert's play, she is so impressed she asks Whiteside to show it to his contacts, and then announces she will quit his employment and marry Bert. However, her boss is loath to lose such an efficient aide and does his best to sabotage the blossoming romance...