簡(jiǎn)介：夜深人靜，白日的束縛悄然褪去，是時(shí)候迎接真實(shí)的自己。在這里，我們?yōu)槟鷾蕚淞艘粓?chǎng)感官的極致盛宴。每一次心跳，都是對寂寞長(cháng)夜最有力的回擊。探索未知，體驗前所未有的私密與刺激。別再壓抑，點(diǎn)擊開(kāi)啟屬于你的午夜狂歡。

簡(jiǎn)介：

　　灰度律師李淇（檀健次飾）因出身于聾人家庭，被卷入一場(chǎng)聾人反詐案中。當他利用案件名利雙收之時(shí)，卻未曾想詐騙案遠比想象的復雜。這一次，在欲望和良知的抉擇中，他會(huì )如何破局？
　　本片部分取材自CODA律師張琪真實(shí)從業(yè)經(jīng)歷。

簡(jiǎn)介：該片以真實(shí)的人物事件為原型，講述了刑滿(mǎn)釋放人員出獄以后在黨和政府以及社會(huì )各界的關(guān)愛(ài)下，自強不息、重塑人生、艱苦創(chuàng )業(yè)的感人故eee。

簡(jiǎn)介：道姆·柯布（萊昂納多·迪卡普里奧 Leonardo DiCaprio 飾）與同事阿瑟（約瑟夫·戈登-萊維特 Joseph Gordon-Levitt 飾）和納什（盧卡斯·哈斯 Lukas Haas 飾）在一次針對日本能源大亨齊藤（渡邊謙 飾）的盜夢(mèng)行動(dòng)中失敗，反被齊藤利用。齊藤威逼利誘因遭通緝而流亡海外的柯布幫他拆分他競爭對手的公司，采取極端措施在其唯一繼承人羅伯特·費希爾（希里安·墨菲 Cillian Murphy 飾）的深層潛意識中種下放棄家族公司、自立門(mén)戶(hù)的想法。為了重返美國，柯布偷偷求助于岳父邁爾斯（邁克爾·凱恩 Michael Caine 飾），吸收了年輕的夢(mèng)境設計師艾里阿德妮（艾倫·佩吉 Ellen Page 飾）、夢(mèng)境演員艾姆斯（湯姆·哈迪 Tom Hardy 飾）和藥劑師約瑟夫（迪利普·勞 Dileep Rao 飾）加入行動(dòng)。在一層層遞進(jìn)的夢(mèng)境中，柯布不僅要對付費希爾潛意識的本能反抗，還必須直面已逝妻子梅爾（瑪麗昂·歌迪亞 Marion Cotillard 飾）的處處破壞，實(shí)際情況遠比預想危險得多……

簡(jiǎn)介：

繼《圣山》中的事件之后，我們重訪(fǎng)了菲洛梅娜的家，這部影片預計將比第一部更大、更黑暗。

簡(jiǎn)介：郁瑩在國中擔任數學(xué)老師，也安排好自己想要的生活，但她卻在計劃出國旅游之際，接到了一道不知如何下手的題目。國三的鄭合，在升學(xué)的高壓里，撞上父母的離異與混亂的青春期，什么話(huà)都不想說(shuō)。在安靜而未知的黑夜中，兩人的卡住人生，在深夜的加油站相遇了。

簡(jiǎn)介：

解放前,雜亂的上海街頭,饑腸轆轆的流浪兒小牛偷了萬(wàn)老頭修表鋪中一塊金表,他的小伙伴大貓和小耗子為之眼紅,于是發(fā)生爭斗,結果被帶往警察局拘押。至此,三個(gè)孩子又團結一致,發(fā)誓嚴守金表的秘密。　拘押期內,小牛因爭食并動(dòng)手打人,又被送進(jìn)“兒童教養院”。教養院訓導主任殷小臣發(fā)現了小牛偷金表的秘密后,便借此要俠他,唆使他盜賣(mài)院內公物,此事被院內名叫小胖的孩子發(fā)現。事發(fā)之后,教養院教導員雷春華著(zhù)手調查。小胖準備聯(lián)絡(luò )院內孩子揭發(fā)殷小臣,小牛卻向殷小臣通風(fēng)報信。殷小臣先發(fā)制人,把小胖狠揍一頓。雷教導員為人熱情厚道,對小牛生活關(guān)懷備至,使小牛深受感動(dòng)。最后,當小牛知道萬(wàn)老頭因丟了顧客的金表被拘留三個(gè)月,他的孫女、小牛的好朋友翠翠孤苦伶仃,無(wú)依無(wú)靠時(shí),良心受到譴責,終于坦白了自己的錯誤,并揭發(fā)了殷小臣的違法勾當。小牛的表現,得到雷春華和孩子們的諒解和歡迎。

簡(jiǎn)介：格魯和露西一家即將展開(kāi)家庭生活的新篇章，迎接新成員“迷你格魯”，而這個(gè)小寶寶也會(huì )用盡方法折磨格魯這個(gè)新手老爸。新反派惡霸麥斯和他既致命危險又美麗性感的女友瓦倫蒂娜來(lái)勢洶洶，格魯一家面臨未知危險。此時(shí)，全新超級小黃人重磅亮相，成為幫助格魯一家度過(guò)這次危機的“秘密武器”。一場(chǎng)驚險刺激、笑料百出的全新冒險即將展開(kāi)。

簡(jiǎn)介：

　　夢(mèng)想成為一名“神探”的面館兒小老板林勝利，意外卷入一起“謀殺騙?！钡年幹\中，善良正義的他利用多年自學(xué)的推理知識及縝密的邏輯思維能力，攜手律師朱敏一起抽絲剝繭，避免了悲劇發(fā)生，最終將壞人繩之以法。

簡(jiǎn)介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

簡(jiǎn)介：沃拉爾的人生平凡無(wú)奇。他生長(cháng)于一個(gè)虔誠的家庭，通過(guò)經(jīng)營(yíng)一家坐落于伊斯坦布爾美國領(lǐng)事館對面的照相館，履行著(zhù)作為養家糊口之人的職責，供養年輕的兒子和生病的父親。此外，他還延續家族傳統，指導兒子成為一個(gè)正直的人。但在表象之下，沃拉爾也有一個(gè)秘密：他和年輕的女顧客——為了申請美國簽證而找他拍照的索奈有了外遇。索奈一心想要離開(kāi)這里，在夢(mèng)想破滅后，憤怒的她和沃拉爾起了爭執，威脅到了他平靜的生活。最終，沃拉爾必須做出選擇：是誠實(shí)地面對自己犯下的過(guò)錯，還是掩蓋真相、走上道德淪喪的黑暗之路？

簡(jiǎn)介：

故事講述了主人公李善德（雷佳音 飾）在同僚的欺瞞之下從監事變身“荔枝使”，被迫接下一道為賀貴妃生辰、需從嶺南運送新鮮荔枝到長(cháng)安的“死亡”任務(wù)，荔枝“一日色變，兩日香變，三日味變”，而嶺南距長(cháng)安五千余里，山水迢迢，這是個(gè)不可能完成的任務(wù)。為保女兒李袖兒余生安穩，李善德無(wú)奈啟程前往嶺南；與此同時(shí)，替左相尋找扳倒右相斂財罪證的鄭平安（岳云鵬 飾）已先一步抵達嶺南。各自身負重任的郎舅二人在他鄉偶遇，意外結識胡商商會(huì )會(huì )長(cháng)阿彌塔（那爾那茜 飾）、空浪坊坊主云清（安沺 飾）、胡商蘇諒（呂涼 飾）、峒女阿僮（周美君 飾）等人，還遭遇嶺南刺史何有光（馮嘉怡 飾）和掌書(shū)記趙辛民（公磊 飾）的重重阻攔。雙線(xiàn)糾纏之下任務(wù)難度飆升，他們將如何打破死局、尋覓一線(xiàn)生機？