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簡(jiǎn)介：

莎士比亞曾說(shuō)：“我們編織的網(wǎng)多么錯綜復雜”，這正是《荒野邊緣》的主線(xiàn)。彼得是一位年輕的同性戀男子，他的父親帶他去露營(yíng)，試圖讓他成為一個(gè)真正的男子漢。他也是一位才華橫溢的藝術(shù)家，他用繪畫(huà)來(lái)逃避現實(shí)，并希望考上一所著(zhù)名的藝術(shù)院校。在學(xué)校里，幾乎每個(gè)人都欺負他，尤其是受歡迎的男孩邁爾斯。邁爾斯本人也是個(gè)隱居者，他用硬漢形象和女友的陪伴來(lái)保護自己，以免被發(fā)現。邁爾斯與杰克有一段秘密戀情，杰克是一個(gè)非常缺乏安全感的年輕人，一直生活在對他暴力成性的酗酒父親的恐懼之中。當杰克和彼得各自逃離各自的生活困境時(shí)，一次偶然的相遇永遠地改變了他們的生活，兩人建立了一個(gè)暫時(shí)的家，擺脫了他們所遭受的偏見(jiàn)和暴力。當他們的關(guān)系變得親密并試圖做真實(shí)的自己時(shí)，杰克再也無(wú)法忍受那些試圖將他們分開(kāi)的力量，這導致了一個(gè)難以接受的結局，但對于許多 LGBTQ+ 青年來(lái)說(shuō)，這往往是現實(shí)。

簡(jiǎn)介：

《FANNY：搖滾權利》揭示了一支菲律賓裔美國車(chē)庫樂(lè )隊如何蛻變?yōu)橐恢С錆M(mǎn)力量的搖滾樂(lè )隊——Fanny，并差點(diǎn)成為女版披頭士樂(lè )隊——的鮮為人知的故事。邦妮·瑞特和喬·埃利奧特參與了本片的演出。

簡(jiǎn)介：　　Shakespeare once said, "what tangled webs we weave", and this is the through-line of On the Fringe of Wild. Peter is a young gay man whose father is trying to make a man of him by taking him camping. He is also a talented artist who uses drawing to escape his life and hopes to get into a prestigious art school. He is being bullied by almost everyone at school, especially the popular boy Miles, who himself is closeted and using a tough guy image and a girlfriend on his arm as his defense from being found out. Miles is having a secret affair with Jack, a very insecure young man living in constant fear of his very violent and abusive alcoholic father. When Jack and Peter each escape their living situations, a chance encounter will change their lives forever as the two set up a temporary home free of the bigotry and violence they have endured. As they become close and try to be their authentic selves, Jack can no longer take the forces that are trying to tear them apart, leading to an ending that is incredibly difficult to accept but all too often a reality for many LGBTQ+ youth.