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簡(jiǎn)介：

　　2006年6月在A(yíng)nnecy國際動(dòng)畫(huà)電影節上評選出的“動(dòng)畫(huà)的世紀·100部作品”第21名。

簡(jiǎn)介：

  在圣誕節前，戰爭和匱乏的時(shí)期，跟隨一所天主教寄宿學(xué)校的叛逆女孩

簡(jiǎn)介：《望夫石》（La Pierre de l'attente，1991），陳英雄一部21分鐘的短片，曾經(jīng)獲得1992年里爾國際電影節（Lille International Short and Documentary Film Festival）評審團大獎

簡(jiǎn)介：The lines start with “O Somma Luce” which is the title of the film and also the 67th line of the 33rd canto in “Paradiso” of Dante’s “Divine Comedy” to the end of “Paradiso”. ?The film is completed with music and lines instead of emotions and narrations. ?This is a recent attempt to combine film with literature.　　The film begins with a black screen and the music of Edgard Varese. The BGM is “Deserts” that was recorded in 1954. After some moments of darkness, the music ends and a middle-aged man sits on a hill, reciting something. He is Giorgio Passerone, an Italian literature professor, and he is reading out of the last part of ‘Paradiso’ of Dante’s Divine Comedy. Jean-Marie Straub expressed how he thinks of Dante through a subtle accent and dialect. The director who had encoded many great artists and musicians including Bach, complete the combination of Dante and Varese, which could seem strange. (Lim Kyung Yong)