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簡(jiǎn)介：　　1940年，在皇家海軍服役的波蘭鷹號潛艇與德軍潛艇進(jìn)行英勇的戰斗

簡(jiǎn)介：　　三個(gè)女人和一個(gè)男人過(guò)著(zhù)獨立的、沒(méi)有性關(guān)系的生活，通過(guò)這場(chǎng)大流行病，他們意識到自己沒(méi)有意識到自己的精神疾病，并有機會(huì )將自己的生活重新組合起來(lái)，做出根本性的改變。其中三個(gè)人失敗了，只有一個(gè)人成功地抓住了這個(gè)機會(huì )。

簡(jiǎn)介：     糖果是一名性工作者。貧窮的老師托托（卡洛·阿基諾 Carlo Aquino 飾）愛(ài)上了她，她成為他努力學(xué)習的動(dòng)力。

簡(jiǎn)介：妻子發(fā)現丈夫外遇，愛(ài)即刻轉變?yōu)橹旅抟?。而為了達到目的，兩人都將不擇手段。

簡(jiǎn)介：痛失至親后，一家人搬到了城里，30年后，大家在故鄉重聚，而埋藏的感情和痛苦的秘密也重新浮現

簡(jiǎn)介：Unhappy in his job and unlucky in love, Joko reunites with a childhood friend and gets the spark of hope he needs to win back his ex-girlfriend.

簡(jiǎn)介：

　　Which a young man desperately tries to make it big with some unlikely allies and a dastardly diabolical plan to pull off the perfect murder.

簡(jiǎn)介：A lawyer turns judge jury and executioner and goes after a gang, led by a minister's son, that threatens women with videos of them.

簡(jiǎn)介：Real-life adaptation of the jewellery robbery that occurred in Kasargod. The case took a 5 member team from the Kerala Police to a dreaded village in Uttar Pradesh where they risked their lives to nab the culprits.

簡(jiǎn)介：這名少女有著(zhù)不堪的過(guò)去和一個(gè)重大秘密。在意外與王儲相戀后，她必須千方百計阻止這一切泄露出去。

簡(jiǎn)介：柏林電影節特別展映

簡(jiǎn)介：

　　一切從 Wi-Fi 密碼開(kāi)始。蕾凱兒一直暗戀著(zhù)俊俏的鄰居阿烈斯，常常偷看他，卻從沒(méi)跟他說(shuō)過(guò)話(huà)，這樣有辦法奪得美男歸嗎？《我在窗前戀上你》改編自 Ariana Godoy 的小說(shuō)，將于 2022 年 2 月 4 日在 Netflix 首播。

簡(jiǎn)介：A woman vanishes. Two men take to the road in search of her they both love her. Why did she leave Each one of them has his own suspicions, and hides them from the other one who—mysteriously—never truly becomes his rival. Neither is right—but is anyone This sudden runaway becomes the hidden core of a number of fictions that the film delicately weaves together the secret of the heart of another woman, lost as well, many years ago; the secret of the life of a village in the countryside, governed by a supernatural incident that nobody seems to perceive; the secret of the plains, which never ceases to spread and devour everything, like the shadows that invade the world after the twilight hour.

簡(jiǎn)介：一名剛當上主角的芭蕾舞演員因巨大的壓力而倍感困擾，并因此逃避現實(shí)，沉迷于自己與另一位舞者的友誼世界之中。

簡(jiǎn)介：

　　有兩位父親的十幾歲少年制作了一部有關(guān)雙親的紀錄片，卻不料離奇的情節開(kāi)始在他的家中真實(shí)上演。

簡(jiǎn)介：當一位丹麥廚師前往托斯卡納出售他父親的生意時(shí)，他遇到了一位當地婦女，她激勵他重新思考他對生活和愛(ài)情的態(tài)度。

簡(jiǎn)介：一名嬌生慣養的電子游戲玩家想要參加即將到來(lái)的比賽賽，但因為生病的母親和一位古怪的阿姨，他不得不重新考慮事情的輕重緩急。

簡(jiǎn)介：From award-winning Lucía Puenzo, comes Dive, starring Karla Souza in a dramatic tour de force performance in this story about the complexities of relationships when set against a backdrop where winning is defined as the ultimate dream

簡(jiǎn)介：　　一位著(zhù)名氣象學(xué)專(zhuān)家在未能預測到災難性冰雹后逃回了他的家鄉，隨后，他很快地發(fā)現自己踏上了一場(chǎng)自我發(fā)現之旅。

簡(jiǎn)介：When Rosa is expected to hand her boss the suntan lotion on a deer hunt, this feels like a sign. Don Reynaldo’s ranch is about to celebrate its farm anniversary, but this passionate hunter’s image is built on a lie. And so, here in the countryside, where men are men, employees are grateful subjects and women diligently and docilely hold it all together, cracks begin to appear in the social life of this microcosm. Ordered around day in and day out, unnoticed by those in her class-conscious surroundings, the menial Rosa gradually becomes an agent of change. While Don Reynaldo’s extended family contorts itself in a bid to save the old order, men begin to arrive at the farm in pickup trucks. Their appearance at the feast and a threat are enough to make the ageing patriarch fear for his life and his family – and force him to act. All that passes is observed by the animals who, either as trophies on the wall or as livestock out to pasture, seem to sense the end of an old hegemony.　　With a keen sense of how to deploy omens that herald change, Alejandra Márquez Abella portrays an epochal shift in rural Mexico – as seen by characters who are usually relegated to passive supporting roles.

簡(jiǎn)介：夜幕低垂，一名懷才不遇的電影人開(kāi)始向朋友講述一連串令人忐忑的故事，驚魂顫栗的轉折也隨即出現。

簡(jiǎn)介：

　　在里喬內邂逅一年后，文錢(qián)索與卡蜜拉再度重逢，前往風(fēng)景如畫(huà)的阿瑪菲海岸度假，而這趟旅程也是對愛(ài)情的考驗。

簡(jiǎn)介：　　In Skazka, Alexander Sokurov weaves digital magic to create a phantasmagorical vision of the Afterlife, worthy of Dante. But wait: are we in the limbo of Purgatory, or a paradoxical Paradise reserved for notorious men of world history? Mussolini, Stalin, Hitler, Churchill and more: all are present and accounted for. Since they exist only as archival media images, each figure comes in a serial set.
　　In the blackest of political comedies, these fallen men beg, in turn, to be let through Heaven’s Gate – but the angels who peek through never open wide. Little wonder, as the former leaders wander listlessly, bitching (in a Babel of multiple languages) about each other’s clothes, hair and hygiene.
　　In what is effectively a work of animation, Sokurov has pulled together many talents into an extraordinary technological feat. It blends pictorial elements from art history to form an endlessly unfolding landscape, replete with fog and ghostly armies of the sacrificed victims of history. Announced as Sokurov’s last film, Skazka is an inspired riff on the high culture of Peter Greenaway mixed with the low culture of mash-up artists Soda_Jerk. Can we now expect some entrepreneur to bring us the interactive Skazka video game?

簡(jiǎn)介：

　　一名出身優(yōu)越的少女在海濱勝地結識了她的初戀——一名自由奔放的風(fēng)箏沖浪教練，等待她的是海浪、陽(yáng)光和激情