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　　《橄欖樹(shù)》是一部西班牙影片，講述了叛逆女孩阿爾瑪為了病重的爺爺，決心尋回15年前被賣(mài)掉的兩千多年樹(shù)齡的橄欖樹(shù)。爺爺愛(ài)護珍惜橄欖樹(shù)，和其他為了利益而不惜破壞環(huán)境的人形成鮮明對比。阿爾瑪決心尋樹(shù)的行動(dòng)也逐漸感染了其他人。影片引導人們關(guān)注環(huán)境、重視傳承，片中涉及親情、友情等，不乏各種感動(dòng)的細節。

　　風(fēng)塵路上，一群牛仔策馬追趕著(zhù)一輛馬車(chē)。電影放映員費斯特攜帶著(zhù)一部手搖放映機給美國西部一個(gè)偏遠小鎮送去了電影。電影院的潛移默化能夠在這混混沌沌的野蠻與愚昧的洪荒小鎮帶來(lái)文明嗎？電影的悲歡里險象迭現，妙趣橫生。

　　比阿特麗斯是一個(gè)胡話(huà)連篇的人，自稱(chēng)是一個(gè)與世界各國的大咖有密切往來(lái)并有億萬(wàn)財產(chǎn)的伯爵夫人。唐納特拉是一個(gè)安靜的紋有紋身的女人，禁錮在自己的神秘里無(wú)法自拔。她們都是精神病人，在精神病院里遭受軟禁。
　　保羅維爾奇這部新片講述了她們之間出乎意料的友誼，和在逃離精神病院的冒險過(guò)程中這兩個(gè)瘋子不斷在這個(gè)露天的所謂正常人的世界里尋求樂(lè )趣和愛(ài)的故事

　　A film version of a play Fassbinder directed in Hamburg, Clare Booth Luce's "The Women". It gave Fassbinder an opportunity to indulge his passion for working with women - there are forty women in the play and no men.
　　The play dates from the 1930s, and Fassbinder was accused by the critics of being anti-women (a frequent criticism of late). As usual, he chose to work "against" the text, and from this has constructed an entertaining and engaging play about love between upper-class women with nothing better to do than sneer at others when things go wrong with their lives and loves.

　　The return of the team of researchers who, to delete their problems with law, decide to help police to find new smart drugs.

　　A rich woman, Raffaella, and some friends rent a yacht to sail the Mediterranean Sea during summer. The sailor, Gennarino, who is a communist, does not like this woman but has to bear with her bad mood. One day she wakes up late in the afternoon and asks to be taken to land where everyone had gone earlier. Gennarino sets up a boat but during the trip, the boat breaks down. They spend the night in the middle of the sea.

　　柏林的普倫茨勞爾貝格區。在這個(gè)夏日的盡頭，一切都將不再相同。只是丹尼爾還不知道這件事。這個(gè)悲劇性情景的主人公是不設防的，因為他已經(jīng)習慣了成功。他的閣樓公寓很別致，妻子很時(shí)尚，保姆也把孩子們管得很好。一切都很順利，他準備去參加一個(gè)超級英雄電影的試鏡，在那里有一個(gè)超級英雄角色在等著(zhù)這位著(zhù)名的德國和西班牙演員。他走進(jìn)街角的酒吧，發(fā)現布魯諾正坐在那里。分分鐘都能看出，布魯諾等待這一刻已經(jīng)很久了。這個(gè)兩德統一的失敗者，曾經(jīng)東柏林士紳化的受害者，永遠被忽視的人開(kāi)始了他的復仇。丹尼爾是他的目標。

　　故事發(fā)生的背景是意大利羅馬。影片節奏相對平緩，有張有弛，這是為了使故事在觀(guān)眾眼里呈現出絕對的平淡、正常，就好像是每天發(fā)生在我們身邊的故事一樣。

　　A comedy about two people with different world-views, from different places, whose fate, with the help from a bull Garonja (a name given to the black bulls in villages of Croatia), intertwine. Ante (Goran Bogdan) is a peasant from Dalmatian hinterland, a son of an bull fights organizer, and skilled insurance salesman. He is known by his powers of persuasion. At the voting for the Law for animal protection, biggest controversy is considering bull fights. Sonja (Judita Frankovic) is from Zagreb, an inveterate activist fighting for animal rights. In Dalmatian hinterland nobody can understand her attitude. They conclude that Sonja, regardless of the declared intense love of animals, would not dare stand in front of a bull. About Sonja and Anthony , the central pair who in his romantic comedy game going a little farther - a little back, a series of actions is carried out in the style of a wild untamed satire at the expense of local "yellow" media and important institutions such as the ...

　　每年，伯爵夫人都會(huì )邀請一個(gè)貧窮的意大利家庭打牌。

　　A satire on anti-communist paranoia in the days of fascist dictatorship in Portugal. The series follows the adventures of the "Lusitanian superhero", the ultra-patriotic Captain Falc?o, a man who follows the direct orders of António de Oliveira Salazar in the fight against the "red menace". Starring Gon?alo Waddington, as Captain Falc?o, David Chan Cordeiro (also responsible for coordinating the work of doubles) as his sidekick Puto Perdiz and José Pinto in the role of portuguese dictator, António de Oliveira Salazar.

　　2017年柏林影展非競賽片特別展映單元，佩內洛普·克魯茲、凱瑞艾文斯、J.A.巴亞納主演，西班牙導演費爾南多·楚巴執導。
　　電影劇情與導演費爾南多·楚巴執導1998年電影《夢(mèng)中的女孩》相關(guān)，同樣是佩內洛普·克魯茲主演的瑪蓮那，歷經(jīng)過(guò)一戰，到了二戰后與一群西班牙的電影工作者，于1950年代拍攝美國好萊塢電影。

　　在坑坑洼洼的路邊，一小隊婦女正在向村莊里的墓地前行。她們走得很鄭重，好像正在參加什么儀式。走在最前面的分別是塔克拉、艾美爾、伊馮娜、艾法芙和賽德。她們捧著(zhù)自己心愛(ài)的男人的照片，行走在正午的烈日下。照片上的這些男人都在毫無(wú)意義的戰爭中一命嗚呼，只留下自己的家眷在國內辛苦地生活。一些婦女帶著(zhù)面紗，一些人則背著(zhù)木質(zhì)的十字架。她們身著(zhù)黑色的衣服，雖然來(lái)自不同的地區、不同的家庭、有著(zhù)不同的信仰，但是這一路上，她們共同的情緒就是——悲傷。
　　到達墓地門(mén)口，出現了戲劇性的一幕：這些女人主動(dòng)分成了兩堆，一堆是穆斯林，另一堆則是基督徒。
　　在這個(gè)被戰爭常年蹂躪的國家里，這一小群婦女打出的反戰的旗號，并且身體力行地做著(zhù)反戰的事情。從外界到內部，她們都在經(jīng)歷著(zhù)洗禮。所幸的是，她們的信念經(jīng)過(guò)了懷疑、宗教和反對之聲的考驗，她們的友誼存活了下來(lái)。但是，當悲劇性的事件發(fā)生后，還會(huì )不會(huì )有人繼續做著(zhù)反戰、祈禱和平的事情呢？

　　A man foils an attempted murder, then flees the crew of would-be killers along with their intended target as a woman he's just met tries to find him.

　　A seasoned woman from the world of show business, recruits 11 Romanian dancers dreaming of fame and glory to take them to Paris. One of them decides to leave her husband, but he doesn't take it very well and starts on a journey to get back his wife and plenty of hilarious things happen along the way.

　　Aron，快將三十，剛畢業(yè)，缺工作，連找工也由老媽寫(xiě)CV，唯一成就是有個(gè)可愛(ài)女友，結果女友背他劈腿，人生至此已走至頹廢盡頭。每次想靜靜哀悼戀情，總被閒人瑣事纏身，面容呆滯，生活失焦，淪為他人世界的路人甲。直至一次酒後胡塗，錯手刷卡買(mǎi)下機票，遠離家鄉布達佩斯的陰霾，才在異國的陽(yáng)光下重拾節奏。
　　匈牙利新進(jìn)導演以平實(shí)手法，不以花巧鏡頭，靠著(zhù)跳脫的敘事節奏及精準的人物呈現看似即興的安排，幽默有趣地用鏡頭捕捉現實(shí)社會(huì )下的「偽文青」心底事。這部魅力過(guò)人的清新首作，在各大歐洲電影節大放異彩，成為不少影評人的特別推介。
　　2014 意大利都靈電影節-評審團特別獎
　　2014 法國南特國際電影節