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　　該片改編自埃里?！が斃麃啞だ遵R克撰寫(xiě)的同名經(jīng)典小說(shuō)，講述在第一次世界大戰期間，保羅·鮑曼和同學(xué)萊爾、米勒參加了德國國民志愿兵，被派往前線(xiàn)與法軍作戰。在戰場(chǎng)上，他們目睹到了殘酷的饑餓、血腥和死亡，戰爭的荒謬無(wú)情讓保羅從迷戀戰爭到心灰意冷。

簡(jiǎn)介：

在1942年1月20日的萬(wàn)湖會(huì )議上，納粹高級官員開(kāi)會(huì )決定如何最好地實(shí)施對歐洲猶太人的種族滅絕。

簡(jiǎn)介：　　In Skazka, Alexander Sokurov weaves digital magic to create a phantasmagorical vision of the Afterlife, worthy of Dante. But wait: are we in the limbo of Purgatory, or a paradoxical Paradise reserved for notorious men of world history? Mussolini, Stalin, Hitler, Churchill and more: all are present and accounted for. Since they exist only as archival media images, each figure comes in a serial set.
　　In the blackest of political comedies, these fallen men beg, in turn, to be let through Heaven’s Gate – but the angels who peek through never open wide. Little wonder, as the former leaders wander listlessly, bitching (in a Babel of multiple languages) about each other’s clothes, hair and hygiene.
　　In what is effectively a work of animation, Sokurov has pulled together many talents into an extraordinary technological feat. It blends pictorial elements from art history to form an endlessly unfolding landscape, replete with fog and ghostly armies of the sacrificed victims of history. Announced as Sokurov’s last film, Skazka is an inspired riff on the high culture of Peter Greenaway mixed with the low culture of mash-up artists Soda_Jerk. Can we now expect some entrepreneur to bring us the interactive Skazka video game?

簡(jiǎn)介：　　Zehra, a female Kurdish fighter, faces the deadly threat of ISIS while guiding her fellow fighters to defend their city, Kobane. A real story of war, sacrifice, love and hope that left the whole world on tenterhooks.