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簡(jiǎn)介：《難忘的一年：春天》是根據同名書(shū)中的四個(gè)故事之一改編的。故事講述了即將畢業(yè)的甜美真實(shí)的女孩Jasmine的經(jīng)歷，唯一的問(wèn)題是數學(xué)。Jasmine被迫與一位可怕的老師一起學(xué)習。后來(lái)她發(fā)現這些額外課程實(shí)際上是由一個(gè)務(wù)實(shí)的數學(xué)學(xué)生Davi來(lái)教的。在不尋常的課堂上，他們分享彼此不同的觀(guān)點(diǎn)，逐漸愛(ài)上對方，并且在找到自己在世界上的位置的同時(shí)，Jasmine意外地發(fā)現數學(xué)不僅僅是晦澀難懂的學(xué)科

簡(jiǎn)介：　　安德莉亞是一個(gè)15歲的女孩，與母親和弟弟住在加的斯。盡管她還是個(gè)十幾歲的孩子，卻過(guò)著(zhù)非常忙碌的生活，平日里她要去高中接弟弟托馬斯和菲德?tīng)?，還要在家里幫助她工作的母親。安德莉亞幾乎沒(méi)有時(shí)間見(jiàn)她的朋友或做任何其他事情。她決心一定要找回自己生活中缺失的那些東西。

簡(jiǎn)介：　　公元7世紀，朱羅王朝失去權力，其人民被迫住在樹(shù)林中，Pandiyan王子Ranadheeran在這一時(shí)期統治著(zhù)國家。

簡(jiǎn)介：　　經(jīng)歷了第一部電影的“皇家驚喜”之后，現已訂婚的萊利·史蒂文森和曼德拉·阿米圖已經(jīng)回到了洛杉磯的生活。隨著(zhù)假期的臨近，萊利的吉娜姨媽和雷叔叔提出舉辦圣誕夜訂婚活動(dòng)在他們位于肯塔基州格拉斯哥美麗的家中舉行派對——這似乎也是萊利一家會(huì )見(jiàn)曼德拉父母諾班圖女王和奇迪克國王的最佳時(shí)機……但真的是這樣嗎？萊利和曼德拉將不得不應對他們的女族長(cháng)之間的緊張關(guān)系各自的家庭，計劃他們的訂婚派對，以及另一個(gè)“皇家驚喜”，這讓這對夫婦的整個(gè)未來(lái)受到質(zhì)疑?！旭T·奧肖內西

簡(jiǎn)介：　　Em A Porta ao Lado, Rafa (Dan Ferreira) e Mari (Letícia Colin) vivem um relacionamento tranquilo e estável, monogamico, dentro dos moldes mais tradicionais. Juntos há mais de cinco anos, os dois se acostumaram com a rotina e a monotonia da vida de casados, sem muitas aventuras. Mas quando Fred (Túlia Starling) e Isis (Bárbara Paz), um casal que vive um relacionamento aberto, se muda para o apartamento ao lado, Mari acaba sendo levada a questionar seu casamento e considerar outras formas de se relacionar. O encontro entre os dois casais provoca desejos, dúvidas e inseguran?as, transformando completamente a vida dos quatro.

簡(jiǎn)介：希齊爾失去了長(cháng)期接受重癥監護的妻子哈利梅。她的女兒哈蒂斯從一直熱心幫助她生病的母親的護士埃夫倫那里得知，是他導致了她母親的死亡。哈蒂斯試圖對來(lái)到她家的父親表示同情。她沒(méi)有向他透露真相，但過(guò)了一段時(shí)間，她再也無(wú)法保守這個(gè)秘密，并與她的妹妹卡德?tīng)柗窒砹??？ǖ抡J為他們應該將埃夫倫的供詞告訴他們的父親，但同時(shí)認為他們應該去報警?？ǖ?tīng)枌γ妹玫膱猿纸o哈蒂斯帶來(lái)了生存問(wèn)題，她被埃夫倫的坦白壓垮了。所有家庭成員都必須在家庭晚宴上面對真相。

簡(jiǎn)介：　　Enea, Aeneas, pursues the myth that his name bears. He does it to feel alive in a dead and decadent age. He does it in the company of Valentino, a newly christened aviator. Together with the drug dealing and the parties, the two boys share their youth. Lifelong friends, victims and perpetrators of a corrupt world, but moved by an incorruptible vitality. Beyond the boundaries of the rules, on the other side of morality, there’s an ocean of humanity and symbols to discover. Enea and Valentino will soar over it to the furthest extremes. But the drugs and the underworld are the invisible shadow of a story that speaks of something else: a melancholy father, a brother who has conflicts at school, a mother defeated by love and a beautiful girl, a happy ending and a happy death, a palm tree falling on a world made of glass. It is between the cracks of everyday life that Enea and Valentino’s adventure gradually finds reprieve. An adventure that may seem criminal to others, but which for them is, and will be first and foremost, an adventure of friendship and love.

簡(jiǎn)介：

　　“For two years starting in 2020, this work has been forming along the edges of disquiet and premonition, in fragments and intensities, through wandering and not-staying. It has tried to find language for and ways across the bizarre upheavals of social and political values with the rise of fascism in India and a global pandemic. It has insisted on being amongst the things that keep from falling apart. Filmed in Delhi, these incomplete fictions are of the people, places, and protests that keep the language of hatred at bay and absorb the city’s grief and euphoria. In them are the continuous echoes of a violent and tenuous present.
　　The false closures and tenuous associations in this video/essay compose a timeline of the city at an angle through the time of this work. There is a shadowy sense of a protagonist who un-dreams it all; a stranger, who it turns out, is no stranger at all.” Priya Sen