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簡(jiǎn)介：A sexy widow discovers her late husband had a secret apartment where he cheated on her. Now she decides to use the same apartment to explore her own sexuality.

簡(jiǎn)介：朱麗葉（瑪魯施卡·迪特馬斯 Maruschka Detmers 飾）正在準備著(zhù)自己和未婚夫賈科莫（Riccardo De Torrebruna 飾）的婚禮，沒(méi)想到，就在這個(gè)節骨眼上， 賈科莫卻因為政治問(wèn)題被捕入獄，婚禮被無(wú)限期的延遲了。在法庭的旁聽(tīng)席上，朱麗葉遇見(jiàn)了少年安德里亞（Federico Pitzalis 飾），朱麗葉的美麗和溫柔瞬間捕獲了安德里亞的心，沒(méi)過(guò)多久，他便對她展開(kāi)了熱烈的追求，在迷惘、悲傷和痛苦之中，朱麗葉很快淪陷了。正當朱麗葉和安德里亞之間的感情越來(lái)越濃厚之時(shí)，賈科莫的突然出獄令朱麗葉陷入了兩難的境地，一邊是年輕火熱的情人，一邊是情深意切的未婚夫，婚期將近，朱麗葉站在人生的十字路口前無(wú)法做出選擇。

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在西德一片美麗古老的森林中，隱居這一對神仙眷侶般的小夫妻——法布里茲奧（Martin Loeb 馬丁?勞伯 飾）和勞拉（Lara Wendel 拉拉?溫德?tīng)?飾）。他們倆在此優(yōu)哉游哉，好不快活。

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本片取材自文學(xué)著(zhù)作《坎特伯雷故事集》，影片則在原著(zhù)眾多獨立的小故事中選取八段故事，以短小精悍、赤裸露骨的敘事風(fēng)格，反映了中世紀英國的社會(huì )百態(tài)。這部強調性愛(ài)作為反抗宗教束縛、爭取人性自由武器的電影，逼真...

簡(jiǎn)介：Sex cowboys is a travel inside our generation, the lost generation, destined to live without a permanent employment, a fixed home and a defined lifestyle. The characters of this travel are nomadic, precarious e immature in the comedy of their life to Simone's anger and to Marla's magic need, alternates passion and sex. The generational crisis is inside us, and we have to find ...

簡(jiǎn)介：Reporter Emanuelle (Laura Gemser) is doing a story on the white slave trade and tracks everything to a gangster living in Africa. Not happy stopping there, Emanuelle comes back to America and begins working undercover. This is probably the best of the D'AmatoGemser Emanuelle movies but that's not saying too much. Unlike the other films in the series this one here at least manages to be entertaining without having to have a woman jerk off a horse as was seen in Emanuelle in America. This film here has a pretty interesting story and it moves along without too many boring spots. Needless to say there's a lot of sex scenes with Gemser taking on various men and women and these here are without a doubt the best scenes. D'Amato makes most of these very erotic, which is another thing missing from others in the series. I wouldn't say Gemser gives a good performance but she is comfortable in the role and you can't complain about seeing her naked throughout the film. The scenes in Africa are well shot and it's nice seeing some of the wildlife. Some of the American scenes were lifted from Emanuelle and the Last Cannibals but this just adds to some of the cheap fun. Original title Via della prostituzione, La.

簡(jiǎn)介：意大利國會(huì )議員菲利普·馬爾格雷迪（皮爾弗朗西斯科·法維諾飾）正致力于將羅馬整個(gè)海岸打造成意大利的拉斯維加斯，玩轉于黑白兩道的他，為達到這個(gè)目的使出渾身解數。羅馬的三股主要勢力議會(huì )、教會(huì )、黑手黨互相博弈，一場(chǎng)爭斗蓄勢待發(fā)。

簡(jiǎn)介：為了刁難自己的父親，一個(gè)年輕女子進(jìn)入了修道院，但是以前的男朋友突然出現，試圖贏(yíng)回她的芳心…

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和世界上大多數夫妻一樣，瑪爾塔（安娜 middot;金斯卡婭 Anna Jimskaia 飾）和丈夫達里奧（馬克思 middot;帕羅蒂 Max Parodi 飾）過(guò)著(zhù)簡(jiǎn)單而平靜的生活，可是，從某些角度看來(lái)，平靜等同于乏味，而這乏味讓瑪爾塔的心中時(shí)常燃燒著(zhù)欲望的火焰。隨著(zhù)火焰越燒越烈，瑪爾塔的痛苦也隨之增加。漸漸的，瑪爾塔的精神世界開(kāi)始失控，她與每一個(gè)看得上眼的男人們共享著(zhù)魚(yú)水之歡，在夢(mèng)境里，在幻想中，而每當此時(shí)，達里奧總會(huì )身著(zhù)風(fēng)衣手持槍械打破瑪爾塔的幻想。 隨著(zhù)時(shí)間的推移，瑪爾塔逐漸的迷失在了現實(shí)和幻想的交界線(xiàn)上，她終于背叛了自己的丈夫，有了一個(gè)年輕的情人。幾經(jīng)思量，瑪爾塔決定和情人私奔，可是在丈夫熟悉的身影前，她又陷入了猶豫之中。

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暫無(wú)簡(jiǎn)介.

簡(jiǎn)介：羅莎（艾德薇姬·芬妮齊 Edwige Fenech 飾）和薇奧拉（艾德薇姬·芬妮齊 Edwige Fenech 飾）雖然身為姐妹，但兩人的個(gè)性卻大相徑庭。薇奧拉從小就過(guò)著(zhù)養尊處優(yōu)的生活，貪圖享樂(lè )的她總是希望能夠過(guò)上不勞而獲的生活，習慣于將大筆大筆的金錢(qián)投入到空虛的奢侈品消費之中。而心中充滿(mǎn)了正義感的羅莎則通過(guò)自己的不懈努力成為了一名法官，她非常熱愛(ài)這份來(lái)之不易的事業(yè)，幾乎將自己的全部都投入其中?！　“Ｋ共ㄎ魍校≧af Luca 飾）是羅莎的手下敗將，對她恨之入骨。于是，他通過(guò)勾引薇奧拉的方式獲得了她的不雅照，在庭審中將它們公之于眾，令陪審團誤以為羅莎是生活不檢點(diǎn)之人。埃斯波西托的陰謀讓羅莎身敗名裂還丟了工作，但紙終究是包不住火的，埃斯波西托的謊言終有被戳穿的那一日。

簡(jiǎn)介：June 1982, Sicily. While Italians dream of winning the World Cup, two adolescents dream of living their love story without fear. ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ?Gianni 17, is bullied because of his homosexuality but his life changes when he meets by accident Nino 16, a captivating and innocent boy. The profound friendship they develop will without embarrassment turn into love, as they start working together for Nino’s father, shooting fireworks. When their bond is discovered by their families, the consequences are as violent as the times and mores are conservative. The two teenagers are separated by force but ready to challenge everything and everyone, convinced their love can defeat death.