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簡(jiǎn)介：　　An extended family split up in France and Germany find themselves on opposing sides of the battlefield during World War I.

簡(jiǎn)介：

　　拉里跳海打救一酒鬼不料卻被船槳撲暈，醒來(lái)后鬼上身喚回了第二人格，變成了另一人凱里。那只好跟那酒鬼后化名雷恩醫生的家伙繼續坑蒙拐騙行走江湖，但沒(méi)想到拉里的原身份竟然是個(gè)富豪，最震撼人心的是，拉里的老婆竟然是他眾里尋她萬(wàn)千次的那個(gè)她，不過(guò)她卻要跟拉里鬧離婚！WilliamPowell與MyrnaLoy這對銀幕情侶的選片從來(lái)都不曾讓人失望過(guò)，WilliamPowell風(fēng)趣幽默，句句珠璣，而MyrnaLoy則全程高冷，兩人一攻一守

簡(jiǎn)介：約翰?舒勒（Edward José 飾）是華爾街一名年輕干練、事業(yè)有成的律師，某日他要作為特別代理人前往英國一段時(shí)間，因此不得不離開(kāi)心愛(ài)的妻子（Mabel Frenyear 飾）和女兒（Runa Hodges 飾）。漫漫的旅途百無(wú)聊賴(lài)，約翰在船上邂逅了一個(gè)美麗妖艷的女人（Theda Bara蒂達?巴拉 飾），他迅速與之墜入情網(wǎng)，將妻子女兒拋在了腦后……　　本片為弗蘭克?鮑威爾根據吉卜林的長(cháng)詩(shī)《勾魂妖婦》改編，拍攝之處，蒂達?巴拉名為奧多西亞?古德曼，她的妖艷表演使其迅速成為性感明星。為突出其神秘感，制片廠(chǎng)將“阿拉伯死神”（ARAB DEATH）的拼寫(xiě)顛倒排列成她的新名字蒂達?巴拉（Theda Bara）。

簡(jiǎn)介：From award-winning Lucía Puenzo, comes Dive, starring Karla Souza in a dramatic tour de force performance in this story about the complexities of relationships when set against a backdrop where winning is defined as the ultimate dream

簡(jiǎn)介：在一個(gè)罪惡的都市，一個(gè)散發(fā)著(zhù)孤獨和死亡臭味的偏遠小鎮里，只有廖少的人仍舊住在那里，每天撒謊，欺詐，偷竊，濫賭和吸毒來(lái)消磨他們那沒(méi)有目標而又沒(méi)完沒(méi)了的時(shí)間，可以這樣猜想，他們全都在暗自祈禱一個(gè)最不尋常的吸血鬼： 一個(gè)長(cháng)相無(wú)辜裹著(zhù)伊斯蘭頭巾的年輕女孩滑著(zhù)滑板巡游在街上搜尋犧牲品來(lái)滿(mǎn)足她的饑渴。本片以華麗和富有感染力的黑白鏡頭拍攝，是居住在美國的作家和導演 Ana Lily Amirpour的第一部影片，一個(gè)西方的伊斯蘭吸血鬼，一部冰冷而又傷感浪漫的喜劇， 是今年最為駭人的原創(chuàng )電影?！耙粋€(gè)狡詐又性感的藤蔓”，他說(shuō)。

簡(jiǎn)介：Abandoned by her fiancé, an educated negro woman with a shocking past dedicates herself to helping a near bankrupt school for impoverished negro youths. Within Our Gates was created in response to The Birth of a Nation which depicted southern whites in need of the Ku Klux Klan to protect them from blood thirsty blacks. Micheaux shows the reality of Dixie racism in 1920, where a black man could be lynched for being in the wrong place at the wrong time.

簡(jiǎn)介：丹尼爾（戈蘭·科斯提 Goran Kostic 飾）和艾拉（扎娜·馬加維克 Zana Marjanovic 飾）是一對感情非常要好的情侶，然而，兩人所屬的種族之間所發(fā)生的激烈沖突令這對戀人漸行漸遠。和艾拉分開(kāi)之后，丹尼爾追隨這自己的父親那波撒（拉德·舍博德茲加Rade Serbedzija 飾），成為了隸屬于塞爾維亞軍隊的一名軍官?！　∧橙?，丹尼爾奉命將兩個(gè)女人和一個(gè)剛剛降生沒(méi)多久的嬰兒從公寓里趕走，讓他沒(méi)有想到的是，這其中一個(gè)女人竟然就是艾拉，而另一個(gè)，是艾拉的姐姐萊亞。這次意想不到的重逢徹底動(dòng)搖了丹尼爾的信念，他內心里對于艾拉的感情死灰復燃，兩人陷入了曖昧不明的糾葛之中。

簡(jiǎn)介：比爾（艾倫·艾克哈特 Aaron Eckhart 飾）不知道自己的生活怎么會(huì )淪落到如此的地步。在岳父所經(jīng)營(yíng)的銀行里，他是個(gè)毫不起眼沒(méi)有前途的小小職員，在本該溫馨和幸福的家庭里，妻子杰斯（伊麗莎白·班克斯 Elizabeth Banks 飾）對自己的郁郁不得志毫不關(guān)心，反而和新聞主播齊普（蒂莫西·奧利芬特 Timothy Olyphant 飾）大搞曖昧關(guān)系。再看看自己，碩大的肚腩和令人感到不安的發(fā)際線(xiàn)，一切的一切都讓他失去了對生活的期望?！　∫淮闻既恢?，比爾結識了神秘的少年（羅根·勒曼 Logan Lerman 飾）和美艷的內衣銷(xiāo)售露西（杰西卡·阿爾芭 Jessica Alba 飾），在兩人的鼓勵和幫助下，比爾重拾了信心，決定要從內到外，來(lái)一次徹徹底底的大改變。

簡(jiǎn)介：這是每天都會(huì )發(fā)生的故事，一個(gè)墨西哥農民偷偷穿越國境來(lái)到加利福尼亞，努力工作，攢錢(qián)，為了將家人送回家鄉。這個(gè)或許平凡無(wú)奇的故事在美國獨立電影人羅伯特·M·揚手中變得格外強硬與寫(xiě)實(shí)?！斗欠ㄒ泼瘛窙](méi)有像其他同類(lèi)題材電影那樣流于傷感，而是細膩生動(dòng)地調查了他們的生存狀況，完成了一段扣人心弦的公路之旅，雖不乏政治屬性但也沒(méi)有失去對主角復雜性的展現。影片贏(yíng)得1978年戛納電影節金攝影機獎。

簡(jiǎn)介：A massive earthquake strikes the United States, which destroys the West Coast and unleashes a massive flood that threatens to destroy the East Coast as well.　　If you're wondering about this film and why it's dubbed in Italian, then read the following comment from IMDb　　I have always wondered about the disappearance of Deluge. Why for so many years, seemingly since it's release in 1933, this film vanished from the face of the earth. After seeing it, courtesy of the efforts of Mr. Wade Williams Co., I'm still puzzled, but I have a theory. In 1933, the code was enacted that pretty much took care of sex and violence in Hollywood. While not an explicit film by any means, Deluge does deal fairly frankly with sexuality, lust and rape. I wonder if RKO discovered they had a film that they could not re-release, much like the fabled lost Warner Bros. comedy Convention City. It's a shame for, while it is a dated film, I find it quite unique and surprising for it's era and a fairly successful attempt to create something different in an era when films were already becoming cookie cutter by-products of the studio machine (not that many of those cookies aren't tasty, mind you). And even though the only available copy at this writing is dubbed into Italian, I don't find that a hinderance. An excellent job was done in subtitling the film, and much of the film is visual anyway.

簡(jiǎn)介：年輕的法國姑娘馬莉（艾德娜·珀薇安絲 Edna Purviance 飾）同名為約翰（卡爾米勒 Carl Miller 飾）的小伙子相愛(ài)了，可是這段感情卻遭到了他們的家人的反對。于是，約翰和馬莉相約私奔前往巴黎。然而就在約定的那一夜，約翰的父親不幸身亡，約翰沒(méi)有能夠赴約。馬莉以為約翰變了心，在悲傷和痛苦之中獨自一人前往巴黎?！　∫换窝蹟的赀^(guò)去，馬莉成為了大亨皮埃爾（阿道夫·門(mén)吉歐 Adolphe Menjou 飾）的地下情人，整日過(guò)著(zhù)醉生夢(mèng)死的生活。某日，她竟然在街頭和約翰重逢了，此時(shí)的約翰只是一介名不見(jiàn)經(jīng)傳的無(wú)名畫(huà)家，但兩人之間的愛(ài)意還是死灰復燃?？墒?，約翰的母親并不相信馬莉對兒子的感情，極力的想要拆散兩人。

簡(jiǎn)介：安吉拉（珍妮·蓋諾 Janet Gaynor 飾）的母親身患重病，急需藥物進(jìn)行治療。生活在窮困潦倒之中的安吉拉無(wú)奈之下只能行竊救命，她的舉動(dòng)自然遭到了警方的通緝和追捕，安吉拉就此踏上了逃亡的旅途?！　⊥局?，安吉拉來(lái)到了一個(gè)馬戲團之中，隱姓埋名成為了其中的一名演員，這正好幫助她拜托了警方的糾纏。在馬戲團中，安吉拉邂逅了名為基諾（查爾斯·法萊爾 Charles Farrell 飾）的年輕畫(huà)家?；Z雖然有著(zhù)一身的才華卻依舊只是一個(gè)名不見(jiàn)經(jīng)傳的無(wú)名畫(huà)家，安吉拉的出現激發(fā)了他的靈感，幫助他取得了事業(yè)上的成就，墜入愛(ài)河的兩人決定結婚，但在婚禮舉行之際，警方還是發(fā)現了安吉拉的蹤跡。

簡(jiǎn)介：

　　故事背景發(fā)生在經(jīng)濟大蕭條時(shí)期，艾娜（莎莉·菲爾德飾）在警長(cháng)老公意外喪生后，發(fā)現自己身無(wú)分文，還得設法維持一家大小的生計，然而幸好有流浪漢摩西協(xié)助，幫 她種棉花、重整家園。

簡(jiǎn)介：

　　An explosives manufacturer suspects a young man is out to kill him. He calls in new parents Nick and Nora to sort things out.

簡(jiǎn)介：

退休殺手杰克·李告別了暴力的過(guò)去，將亡兄的女兒杰米撫養成人。當犯罪頭目班杜奇為了報復綁架杰米時(shí)，杰克重拾他天賦異稟的滅絕技能，舊金山街頭變成了一人殺人機器與冷酷無(wú)情、團結一致的黑幫頭目的戰場(chǎng)。

簡(jiǎn)介：瑪雅文明末期，奢華淫靡之氣蔓延，為了祭奠那些剛剛落成的金字塔以及驅散眾神的憤怒，瑪雅王國派出強悍的軍隊入侵叢林深處的弱小部落，將戰俘作為祭天的犧牲斬殺。年輕驍勇的戰士虎爪（Rudy Youngblood 飾）和族人過(guò)著(zhù)平靜的生活，他有可愛(ài)的兒子和美麗的妻子，并且不久將迎來(lái)新的生命。但瑪雅軍隊打破了這一切，他的部落遭到襲擊，虎爪及時(shí)將妻兒藏在深坑之中，自己卻不慎被俘。經(jīng)過(guò)一路坎坷，他和其他戰俘來(lái)到瑪雅城。無(wú)數頭顱被可恥的劊子手斬落，但即便在這個(gè)時(shí)刻，虎爪也念念不忘叢林深處的妻兒。只要一息尚存，他無(wú)論如何也要回到妻兒的身邊……?豆瓣

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簡(jiǎn)介：

　　It follows a teen who after being kicked out of the house by their parents, embarks upon a journey of self-discovery that teaches them about love, friendship, and family.

簡(jiǎn)介：　　影片根據真實(shí)事件改編； 在洛杉磯有這樣一個(gè)家庭，丈夫貝斯患有嚴重的心理疾病，自從他的母親去世后，這種情況變本加厲。他不但限制家人的自由，更把只有四歲的小女兒卡蒂囚禁起來(lái)，并加以殘酷的虐待。轉眼之間八年過(guò)去了，卡蒂已經(jīng)變成一個(gè)十二歲的小女孩，但卻始終過(guò)著(zhù)與世隔絕的生活。由于錯過(guò)了最佳的語(yǔ)言學(xué)習時(shí)期，她甚至還不會(huì )說(shuō)話(huà)，面對這一切，溫順的妻子斯坦蒂只能忍氣吞聲。但丈夫日益不正常的舉動(dòng)，讓她似乎預感到了什么。為了挽救小女兒的生命，在兒子的幫助下，斯坦蒂帶著(zhù)卡蒂逃了出來(lái)并向警察求救。一時(shí)間，被囚禁八年，幾乎像野人一樣的小女孩卡蒂成為了社會(huì )的焦點(diǎn)，每天都有數不清的記者和好奇的人們想要一探究竟。
　　在大學(xué)主修語(yǔ)言學(xué)的學(xué)生桑德拉在格雷斯教授的帶領(lǐng)下，也來(lái)到了這個(gè)城市，這一次，他們的任務(wù)是證明在語(yǔ)言最佳學(xué)習期后，仍然可以學(xué)會(huì )說(shuō)話(huà)。桑德拉的出現，改變了卡蒂的命運?？ǖ俚谝淮我?jiàn)到桑德拉就對她產(chǎn)生了好感，而在桑德拉的內心里也油然而生一種憐愛(ài)之感。在這段日子里，桑德拉教卡蒂說(shuō)話(huà)，做游戲，照顧地無(wú)微不至，而小女孩的情況也似乎有所好轉。但這些卻遭到了研究所里女醫師朱蒂的質(zhì)疑和諷刺。朱蒂認為只有自己才可以接近小女孩，并想利用對卡蒂的治療使自己功成名就，自私的治療動(dòng)機帶給卡蒂更大的傷害。。她采取卑劣的手段，獲得批準讓卡蒂在她的家里治療?？ǖ購哪Э咧刑用?，卻又陷入了另一次囚禁。
　　卡蒂目前的狀況讓桑德拉十分擔心，她懇求同時(shí)研究員的諾曼幫助。但好景不長(cháng)，在朱蒂的誘導下，卡蒂的生母斯坦蒂執意讓女兒回到自己的家，而在那不久，朱蒂又接手了這個(gè)案子。桑德拉從中做了許多工作，甚至想收養卡蒂，但一切都于事無(wú)補，并且被禁止與卡蒂見(jiàn)面。

簡(jiǎn)介：　　A visiting home health aide and recovering alcoholic, strives to rebuild her broken life, only to have it fall apart once again when she falls in love with her young, paraplegic patient then betrays her trust.

簡(jiǎn)介：　　Lulu and Judy Geeson continue their earlier roles and come to the farewell party. Thackeray announces that he is leaving for an inner-city school in Chicago where he will teach again. In Chicago, he meets a former colleague who is the principal of the school. Thackeray learns that there is an A class with good students and an H (for "horror") class for the no-gooders. He convinces the principal to let him take the H class as a History teacher. His new pupils are Hispanic, Black and White kids who are noisy, unruly and engaged in destructive behaviours. Like in London, he starts by teaching them some manners. He addresses them as Mr X or Miss Y, and expects to be called Mr Thackeray or Sir (hence the titles).
　　Little by little he learns their personal stories: Wilsie is a gang leader who protects his younger brother. Another is a black female who battles against double prejudice. The white kid is growing without parents and hides this to avoid being fostered.
　　We also know a bit of Mr Thackeray's story. As a teenager in Guyana, he fell in love with a Chicago girl whose father had come to build a mall. They lost contact and he went to Britain to study, became a teacher and got married. He is now a widower but decided to take this teaching opportunity to find his earlier love.
　　At school he sets out to teach these troubled kids of their true potential if they take their fate in their hands. He teaches about the non-violent resistance of the historic fighters of civil rights. When he discovers Wilsie smuggling a gun into the school, he confronts him and convinces him to yield the gun. Mr Thackeray delivers it to the school policeman as a found object.
　　Later, the police pressures him to give the name of the armed kid, since the gun was involved in a cop killing. He refuses to give up the name of the student and has to leave the school.
　　Meanwhile, one of his pupils has taken a job in a newspaper and decides to investigate on the old Chicago love of Thackeray's. The girl arranges an appointment for him. Thackeray meets the son of his former love in a hospital. His mother is ill. Thackeray learns that she loved him back but her father retained all his letters, because she had gotten pregnant, so that young man he had just met is his son.
　　Thackeray learns that Wilsie is hidden because he thinks that the police are after him. His brother takes Thackeray to the hideaway to explain the real situation and avoid that Wilsie ruins his life. Through courage and talking, the teacher convinces Wilsie to yield his new gun and confronts a rival gang that had come to fight Wilsie. Wilsie and the friend who had got him the gun explain themselves at the precinct.
　　The kids have been doing a "stand in" and force the principal to accept their beloved teacher back.
　　Unlike the British film, there is no infatuation with him among his pupils, but a fellow teacher (Saundra Santiago) admires him.
　　The film ends with the graduation ceremony and dance. Mr Thackeray announces that he is not going back to Britain but staying at Chicago to teach the new generation.
　　--Wikipedia

簡(jiǎn)介：　　A ruthless corporate raider on the verge of making partner at his NYC private equity firm, is forced to return to his small town roots where he suddenly inherits his father's nearly bankrupt pencil factory, which is the heart and soul of the depressed community. With the foreclosure deadline looming, he must decide to either join the community's fight to save the factory, or let it close and relocate to China.

簡(jiǎn)介：　　Chile's 2009 Academy Awards official submission to Foreign-Language Film category.
　　Santiago de Chile, 1978.
　　In the midst of the tough social context of Pinochets dictatorship, Raúl Peralta, a man in his fifties, is obsessed with the idea of impersonating Tony Manero, John Travoltas character in Saturday Night Fever.
　　Raúl leads a small group of dancers regularly performing at a bar located in the outskirts of the city. Every Saturday evening, he unleashes his passion for the films music by imitating his idol. His dream of being recognized as a successful showbiz star is about to become a reality when the national television announces a Tony Manero impersonating contest. His urge to reproduce his idols likeness drives him to commit a series of crimes and thefts.
　　In the meantime, his dancing partners, who are involved in underground activities against the regime, are persecuted by the governments secret police.
　　Tony Manero is a story about loss of identity and obsession in the recent Chilean history

簡(jiǎn)介：　　A pediatrician and an overseas doctor, meet at a wedding in Philadelphia, but the long distance, family, and their friends may hinder their budding romance.