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簡(jiǎn)介：新年的鐘聲即將敲響，女教師娜斯佳的家中迎來(lái)了三位老人，他們都是按照娜斯佳刊登的尋親啟示來(lái)這里找失散多年的女兒的。于是，在這個(gè)飄著(zhù)雪花的溫馨夜晚，發(fā)生了一個(gè)動(dòng)人的故事……

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　　拉里跳海打救一酒鬼不料卻被船槳撲暈，醒來(lái)后鬼上身喚回了第二人格，變成了另一人凱里。那只好跟那酒鬼后化名雷恩醫生的家伙繼續坑蒙拐騙行走江湖，但沒(méi)想到拉里的原身份竟然是個(gè)富豪，最震撼人心的是，拉里的老婆竟然是他眾里尋她萬(wàn)千次的那個(gè)她，不過(guò)她卻要跟拉里鬧離婚！WilliamPowell與MyrnaLoy這對銀幕情侶的選片從來(lái)都不曾讓人失望過(guò)，WilliamPowell風(fēng)趣幽默，句句珠璣，而MyrnaLoy則全程高冷，兩人一攻一守

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　　生活在巴雷利的年輕姑娘比蒂因為幾次失敗的相親而沮喪不已，準備離家出走的她偶然看到一本書(shū)《巴雷利的巴菲》，書(shū)里的女主描述簡(jiǎn)直和自己一模一樣，不僅性格特點(diǎn)一樣，連生活?lèi)?ài)好習慣也一樣，完全就是照著(zhù)她寫(xiě)的。比蒂一心想找到寫(xiě)這本書(shū)的作者，與這本書(shū)作者的邂逅開(kāi)啟了一段尋找愛(ài)情的奇妙旅程。當然，雖說(shuō)尋愛(ài)的過(guò)程妙趣橫生，愛(ài)情的得來(lái)也不是一帆風(fēng)順。有歡笑也有淚水，有輕松也有沉重，不過(guò)結局是歡樂(lè )一家親的。

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　　有兩位父親的十幾歲少年制作了一部有關(guān)雙親的紀錄片，卻不料離奇的情節開(kāi)始在他的家中真實(shí)上演。

簡(jiǎn)介：丹妮拉是一個(gè)無(wú)憂(yōu)無(wú)慮的女孩，從她很小的時(shí)候起，她就暗戀她最好的朋友，雖然，他們總是在一起玩，兩個(gè)家庭的關(guān)系也很好，但是她始終沒(méi)有勇氣跟他表白，他也不曾知曉她的心思。 有一次來(lái)了一個(gè)難得的機會(huì )，丹妮拉終于可以成為她心上人的“女朋友”。她心上人的爸爸過(guò)生日，她心上人讓她冒充他的女朋友出席這次的生日聚會(huì )，因為他的家人們之前總是因為他沒(méi)有一個(gè)像樣的女朋友而取笑他，而這次有了丹妮拉，他的家人就不會(huì )再笑話(huà)他，但是這真的可以蒙混過(guò)關(guān)嗎？當然不會(huì )，他的家人們很快就發(fā)現了端倪，發(fā)現他們并不是真正的男女朋友。 安娜寶拉，一個(gè)夢(mèng)想著(zhù)結婚、期待著(zhù)自己可以有一個(gè)完美婚禮并且可以和自己心目中的完美丈夫過(guò)著(zhù)幸福美滿(mǎn)生活的女孩兒，但現實(shí)往往是殘酷、事與愿違的。在現實(shí)生活中，她的未婚夫并沒(méi)有她夢(mèng)想中的那么完美，他在與寶拉的這段感情里，對寶拉有著(zhù)不忠的行為，他在寶拉毫不知情的情況下，與寶拉的表妹搞在了一起。寶拉有一次無(wú)意間知道了真相，知道了未婚夫對她的不忠行為，寶拉一個(gè)人開(kāi)車(chē)到了酒吧去喝酒，想借酒消愁，喝得酩酊大醉的她頭腦一熱開(kāi)著(zhù)車(chē)出了城，她把車(chē)開(kāi)到了一片叢林，在那兒她無(wú)意間發(fā)現了艾瑞克，他是一個(gè)簡(jiǎn)單樸素的男人，經(jīng)常以一個(gè)醫生的身份去到當地各個(gè)殖民地地區去問(wèn)診，為他們看病、治病。這一切讓寶拉意識到生活不一定永遠是一帆風(fēng)順的，簡(jiǎn)簡(jiǎn)單單的生活才是最重要的。但她確信即將開(kāi)始的婚姻生活將會(huì )是充滿(mǎn)挑戰的，因為她未婚夫對她的不忠誠，因為理想與現實(shí)的差距之大...... 最后，真愛(ài)的力量使相愛(ài)的人美滿(mǎn)地生活在一起，姐姐和妹妹也不再糾結自己不幸的姻緣，各自找到了生命中的真愛(ài)。

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　　Malvís (Alfredo Landa) is sick of working like crazy for nothing. He'd rather become a bandit, that's much better, he's gonna be the fearful Fendetestas! He'll spread panic in the woods of his region. But there's a little problem: there aren't much people living in his region, everyone knows everyone and everyone is so poor, so is gonna be difficult that someone takes Malvís/Fendetestas too seriously.
　　This is a magic history, so funny, and full of situations that will make you laugh. It's also full of characters that belong to the Spanish idiosyncrasy: the strict priest, the Guardia Civil, the old devout women, the village idiot... there's even a lost soul wandering around the woods.
　　The great Alfredo Landa heads a cast that gathered together the best two generations of Spanish scene: from Fernando Rey to Encarna Paso, from Manuel Alexandre to María Isbert... A cast like that would be just unthinkable nowadays. "El Bosque Animado" was the first movie of José Luis Cuerda's trilogy of rural comedies (after this one he made the surreal "Amanece Que No Es Poco", and "Así En El Cielo Como En La Tierra". Those are movies so personal that stress the Spanish culture. The young directors should take note of films like "El Bosque Animado", instead of trying to be the new "enfant terrible" and imitating US worst cinema.

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　　寧靜的小鎮突然接連發(fā)生了離奇的死亡事件，一個(gè)四口之家的成員接連喪命。呆瓜警察埃伯霍夫覺(jué)察了到了別人沒(méi)發(fā)現的蹊蹺之處……

簡(jiǎn)介：　　講述兩名留守少年，在暑假各種荒誕的日常生活，從各種搞笑的經(jīng)歷和犯錯中，一步步找到自己的定位和努力的方向，走向成長(cháng)的故事

簡(jiǎn)介：A Man lives in his car. He is 40 years old and although he does not have a lot of free time, when he does, he chooses to spend it with his family. He meets his wife and two children at a specified day and time in car parking lots. His job is to locate and bring the finest honey to a 50-year old man. A New Driver shows up and the Man gets fired. The Man’s life changes and he finds it absurd that no one trusts him anymore.

簡(jiǎn)介：中年建築師遇上人生瓶頸，在家被老婆嫌棄，公司小開(kāi)兔死狗烹。失業(yè)的他在曼谷街頭驀然回首，瞥見(jiàn)大象Pop Aye，憶起歡快的童年時(shí)光，毅然買(mǎi)下大象，卻發(fā)現都市生活容不下他倆，打算和老象一路向北返鄉。這趟人與象的公路之旅，途中狀況不斷，所幸萬(wàn)能的象鼻領(lǐng)著(zhù)他倆，與沿路風(fēng)景相伴?！栋謰尣辉诩摇穼а蓐愓芩嚤O製，阿比查邦御用剪接操刀，看擅長(cháng)冷幽默的才女導演陳敬音，用象鼻對抗中年危機！將泰國鄉下的荒涼風(fēng)景，轉變成一首洋溢著(zhù)淡淡霓虹光芒的自我蛻變之歌。

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　　A comedy about two people with different world-views, from different places, whose fate, with the help from a bull Garonja (a name given to the black bulls in villages of Croatia), intertwine. Ante (Goran Bogdan) is a peasant from Dalmatian hinterland, a son of an bull fights organizer, and skilled insurance salesman. He is known by his powers of persuasion. At the voting for the Law for animal protection, biggest controversy is considering bull fights. Sonja (Judita Frankovic) is from Zagreb, an inveterate activist fighting for animal rights. In Dalmatian hinterland nobody can understand her attitude. They conclude that Sonja, regardless of the declared intense love of animals, would not dare stand in front of a bull. About Sonja and Anthony , the central pair who in his romantic comedy game going a little farther - a little back, a series of actions is carried out in the style of a wild untamed satire at the expense of local "yellow" media and important institutions such as the ...

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　　本片根據印度暢銷(xiāo)書(shū)作家奇坦·巴哈特（Chetan Bhagat）的處女作小說(shuō)《五點(diǎn)人》（Five Point Someone）改編而成。法蘭（馬德哈萬(wàn) R Madhavan 飾）、拉杜（沙曼·喬希 Sharman Joshi 飾）與蘭喬（阿米爾·汗 Aamir Khan 飾）是皇家工程學(xué)院的學(xué)生，三人共居一室，結為好友。在以嚴格著(zhù)稱(chēng)的學(xué)院里，蘭喬是個(gè)非常與眾不同的學(xué)生，他不死記硬背，甚至還公然頂撞校長(cháng)“病毒”（波曼·伊拉尼 Boman Irani 飾），質(zhì)疑他的教學(xué)方法。他不僅鼓動(dòng)法蘭與拉杜去勇敢追尋理想，還勸說(shuō)校長(cháng)的二女兒碧雅（卡琳娜·卡普 Kareena Kapoor 飾）離開(kāi)滿(mǎn)眼銅臭的未婚夫。蘭喬的特立獨行引起了模范學(xué)生“消音器”（奧米·維嘉 Omi Vaidya 飾）的不滿(mǎn)，他約定十年后再與蘭喬一決高下，看哪種生活方式更能取得成功。
　　本片獲孟買(mǎi)電影博覽獎最佳影片、最佳導演、最佳配角（波曼·伊拉尼）、最佳劇本等六項大獎，并獲國際印度電影協(xié)會(huì )最佳影片、最佳導演、最佳劇情、最佳攝影等十六項大獎。

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　　西蒙（喬瑟夫·哈德 Josef Hader 飾）是一名私家偵探，人到中年，卻發(fā)現自己的人生之路越走越窄，內心始終覺(jué)得有著(zhù)隱隱的不安。為了撫平心中的焦慮，西蒙決定回到自己的故鄉，在那里，留存著(zhù)他美好的童年回憶，西蒙忽然發(fā)現，自己已經(jīng)很久很久沒(méi)有回去看過(guò)了。
　　踏上了故鄉的土地的一瞬間，西蒙就感受到了心靈的放松，然而，剛開(kāi)始的新鮮勁過(guò)去后，西蒙開(kāi)始漸漸回憶起一些發(fā)生在這里的，他一直試圖淡忘的回憶。阿施布萊納（托比亞斯·莫雷蒂 Tobias Moretti 飾）是西蒙童年時(shí)代的好友，讓西蒙沒(méi)有想到的是，在他拜訪(fǎng)自己的第二天，阿施布萊納竟然自殺了。

簡(jiǎn)介：專(zhuān)欄作家和作家Femke在社交媒體上充斥著(zhù)匿名的惡意信息和死亡威脅。有一天她受夠了，決定報復。

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　　Based on an unknown Sch?nberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Sch?nberg’s atonal score, performed here by 70 musicians. That Sch?nberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Sch?nberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Sch?nberg canon—and the film such a challenging and intriguing experience.

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簡(jiǎn)介：

　　馬戲團演員帕比與士兵倍明朗哥自戰場(chǎng)回歸后發(fā)現他們的家己面目全非，二人于是結伴而行；他們在帕比所偷的腳踏車(chē)上發(fā)現珠寶，與猶太麥面包師的女兒艾絲特快樂(lè )地生活在一起，艾絲特產(chǎn)下一女后，卻因帕比所偷的珠寶而被竊賊所殺，帕與倍也因私藏珠寶而下獄……

簡(jiǎn)介：Antonio Poyju is a sorcerer who belongs to a powerful blood lineage. Antonio is being held in a asylum against his will. After an omen, Antonio understands of a great imminent danger. Her daughter Helena, heir to her blood, will be sacrificed by an evil entity. Helena lost her faith and disbelieves her father. Antonio must escape using his sorcerer power to rescue his daughter. For this, he must reconstruct the bond and make his daughter believe in him and in his own power.

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　　A workman is accidentally sent into outer space, where he meets an alien that can make himself invisible. They return to Earth in the year 2447. Complications ensue.

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　　剛嶄露頭角的政壇新星想盡千方百計要爬上高位，意想不到的另一個(gè)角色卻在此時(shí)出現，不斷干涉他的不當手段。

簡(jiǎn)介：Sara and Nicola are expecting their second son. Through the late Mattia Torre's sharp look, all the joys and sorrows of being a parent in the modern day Italy are unraveled in an absolutely brilliant and witty way.

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  在圣誕節前，戰爭和匱乏的時(shí)期，跟隨一所天主教寄宿學(xué)校的叛逆女孩

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　　Fatures eight members of BNK48 --- Noey, Kaew, Mobile, Namneung, Kaimook, Namsai, Tarwaan and Pupe. In the movie, the girls are working on a secret special project. They have to stay in Isaan for a while. The girls have a hard time adjusting themselves into a new environment and its unfamiliar local food. They have to work on a song which combines pop and Isaan music.

簡(jiǎn)介：有人戲稱(chēng)這部電影是“四個(gè)男人的一臺戲”?！　∮捌谢緵](méi)有特別引人的情節，沒(méi)有激烈的動(dòng)作打斗場(chǎng)面，甚至沒(méi)有撩人心弦的愛(ài)情故事，然而繞有趣味的是，影片除卻贏(yíng)得了1700萬(wàn)觀(guān)眾，還被當時(shí)權威電影雜志《蘇聯(lián)銀幕》評為1983年最佳影片?！　∵@樣一部既叫座又叫好的影片講述了前蘇聯(lián)20年代四個(gè)青年音樂(lè )家組辦爵士樂(lè )隊的故事。在那樣一個(gè)“火紅的年代”，屬于“資本主義意識形態(tài)”的爵士樂(lè )很難被蘇聯(lián)官方接受。出現在影片中幾乎所有文化場(chǎng)合的標語(yǔ)“藝術(shù)要為勞動(dòng)人民服務(wù)！”是那個(gè)時(shí)代的典型象征。四個(gè)熱愛(ài)爵士樂(lè )的青年就這樣不合時(shí)宜、一波三折地進(jìn)行著(zhù)他們“不可能完成的任務(wù)”?！　∮捌臄z完成的80年代，蘇聯(lián)人已經(jīng)開(kāi)始通過(guò)一些“非法渠道”接觸西方文化，當時(shí)，《巴黎最后的探戈》錄像帶開(kāi)始半地下流行，持不同政見(jiàn)歌手的音樂(lè )會(huì )也幾乎場(chǎng)場(chǎng)爆滿(mǎn)。因此，在這樣一種社會(huì )背景下影片中發(fā)生的故事立刻能得到觀(guān)眾的認同，主人公們對理想的執著(zhù)、對自我價(jià)值的肯定、對友誼的堅持也讓人感覺(jué)親近和鼓舞?！　∮捌\用幽默詼諧的手法對時(shí)代進(jìn)行嘲諷，用優(yōu)美的音樂(lè )旋律和舞蹈動(dòng)作打動(dòng)觀(guān)眾，一個(gè)本應沉重的題材得以讓人輕松地內省?！　а菘āど澈占{扎羅夫、編劇亞·巴拉基楊斯基、攝影弗·舍弗茲伊克構成了一個(gè)強力組合， 劇本經(jīng)過(guò)10次修改，人物性格設計上的差異賦予了演員極大的發(fā)揮空間。透視片中時(shí)代里的個(gè)體、音樂(lè )里的個(gè)性，我們看到一種俄羅斯哲學(xué)的智慧?；蛟S有一天，你已經(jīng)忘記了影片故事的情節，但是某些摻雜著(zhù)辛酸與甜蜜、沮喪與欣喜的電影畫(huà)面會(huì )在腦海中悄然浮現?！　∮捌@1984年法國格勒諾布爾國際音樂(lè )片電影節評委會(huì )特別獎，波蘭羅茲國際電影節銀獎，并參展1984年倫敦、芝加哥、貝爾格萊德等電影節。