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簡(jiǎn)介：

本片是2014年爆款動(dòng)作片《走到盡頭》的菲律賓翻拍版。講述警察愛(ài)德蒙·威廉在匆忙奔喪的路上意外撞人，隨后卷入被敲詐勒索的危險局面。在動(dòng)作片領(lǐng)域有專(zhuān)攻的菲律賓導演勞倫斯·法哈多，在本片中對節奏拿捏精準，不僅故事環(huán)環(huán)相扣驚險刺激，室內打斗動(dòng)作更是迅猛凌厲，讓觀(guān)眾腎上腺素飆升。他還為影片加上了大量本土化背景，以犯罪片的形式對某些社會(huì )現象作出了批評。

簡(jiǎn)介：18世紀初，在喀爾巴阡山脈東邊的原始叢林腹地，古老而閉塞的村莊，妙齡少女在夜晚慘遭殺害。惡魔的氣息彌漫森林四處，被詛咒的土地上，邪靈降臨，為當地人帶來(lái)最為恐怖的噩夢(mèng)。與此同時(shí)，年輕孟浪的英國科學(xué)家和制圖家喬納森·格林（杰森·弗萊明 Jason Flemyng 飾）和富家小姐的戀情被對方父親發(fā)覺(jué)，遭到怒罵和驅逐的喬納森帶著(zhù)對女孩的眷戀踏上東去的旅途，期間他迷失了道路，稀里糊涂來(lái)到了那座被詛咒的村莊。他從當地人那里聽(tīng)說(shuō)了關(guān)于撒旦、女巫的傳說(shuō)，但是這位牛頓的學(xué)生對超自然現象抱有深深的懷疑?！　×钊瞬桓蚁嘈诺钠娈惵贸?，改變命運的重要時(shí)刻……

簡(jiǎn)介：在位于郊外的華麗別墅內，人過(guò)中年的整形醫生羅伯特·雷德加（安東尼奧·班德拉斯 Antonio Banderas 飾）和忠心老仆人瑪麗莉婭（Marisa Paredes 飾）居住于此。在過(guò)去的十二年里，他先后失去了妻子蓋兒和女兒諾瑪（Ana Mena 飾），一樁樁人間慘劇徹底顛覆了羅伯特看似完美的生活，同時(shí)也將他的事業(yè)與研究推向了完全未知的領(lǐng)域。在別墅的某個(gè)神秘房間內，居住著(zhù)一個(gè)美麗且與世隔絕的女子，她叫薇拉（埃琳娜·安納亞 Elena Anaya 飾），既是羅伯特的病人，又是他的實(shí)驗對象，二人有著(zhù)紛繁錯亂的淵源。她經(jīng)羅伯特之手精心塑造出來(lái)的容顏，將彼此緊緊纏繞在了一起……　　本片榮獲2011年華盛頓影評人協(xié)會(huì )最佳外語(yǔ)片獎。

簡(jiǎn)介：Duccio Tessari's rare Giallo starring Helmut Berger, Giancarlo Sbragia, Evelyn Stewart, Silvano Tranquilli Carole Andre. A young student is murdered in a park by an unseen assailant during a heavy thunderstorm. The murderer makes his escape, but is identified by a number of people at the park exit. A sports presenter from a local TV channel, Alessandro Marchi, is quickly arrested, and despite protestations of innocence, is charged with the murder.　　Marchi calls his lawyer, who promises to have him released very soon, but when it comes to the trial the lawyers case is a weak one, full of holes, and Marchi is duly found guilty.　　All is not what it seems and it soon becomes apparent that the lawyer is having an affair with Marchi's wife and obviously does not have Marchi's best interests at heart…

簡(jiǎn)介：　　醫者不自醫。
　　他以為在救贖別人，其實(shí)是在自救。
　　在這條尋找自我的荒路上，愛(ài)與希望從未放棄。
　　改編于阿拉伯小說(shuō)國際獎短名單小說(shuō)《藍象》的同名電影于2014年開(kāi)齋節后在埃及正式上映，并在同年12月馬拉喀什第十四屆國際電影節、2015年埃及電影節上斬獲多種獎項，一時(shí)間好評如潮，埃及評論家塔里格?沙納威認為，這部電影是“十年來(lái)最好的電影之一”
　　電影《藍象》一反傳統埃及電影中常見(jiàn)的現實(shí)主義場(chǎng)景，它將驚悚、刺激、神秘、幻想等元素與高科技特效結合起來(lái)，同時(shí)也匯集了埃及著(zhù)名影星哈立德·薩維、凱里木·阿卜杜·阿齊茲、尼莉·凱里木等人。它成功地吸引了眾多阿拉伯觀(guān)眾，創(chuàng )下三千五百萬(wàn)埃鎊的票房記錄。
　　“如果全世界都說(shuō)你瘋了，葉哈雅，我要告訴你，你沒(méi)有”
　　“我會(huì )為一個(gè)期望活著(zhù)，哪怕是假的”

簡(jiǎn)介：法醫保羅自以為是的正義讓他女兒慘遭綁架，他唯一的希望是困在無(wú)人島上的漫畫(huà)家琳達，她必須盡速代他執行一連串解剖且找到隱藏線(xiàn)索，才得以拯救保羅的女兒并揪出兇手。

簡(jiǎn)介：An agoraphobic young woman, traumatized by past events, finds herself trapped and terrorized in her own home.

簡(jiǎn)介：The story follows a recent divorcee who spends her daily commute fantasizing about a seemingly perfect couple who live in a house that her train passes daily, but something shocking happens there one day.

簡(jiǎn)介：Roberto, a drummer in a rock band, keeps receiving weird phone calls and being followed by a mysterious man. One night he manages to catch up with his persecutor and tries to get him to talk but in the ensuing struggle he accidentally stabs him. He runs away, but he understands his troubles have just begun when the following day he receives an envelope with photos of him killing the man. Someone is killing all his friends and trying to frame him for the murders...

簡(jiǎn)介：久利奧，一個(gè)搞著(zhù)自己論文的電影系學(xué)生，在他不忙于觀(guān)看德國表現主義作品或經(jīng)典恐怖影片時(shí)，在當地音像店度過(guò)大部分時(shí)間。在店里的一天晚上他與住在自己公寓外街道另一邊的薩沙相識。而第二天，薩沙的母親被發(fā)現死亡。久利奧確信謀殺的實(shí)施從阿爾弗雷德.希區柯克的影片中得到啟發(fā)，于是違背女朋友的忠告，決定開(kāi)始他自己的調查...

簡(jiǎn)介：女兒聲稱(chēng)將自己最好的朋友殺害，離異的保羅夫婦決心幫助女兒隱瞞一切。但女兒朋友的父親步步緊逼，隨后夫婦兩人陷入了一連串麻煩之中……

簡(jiǎn)介：一對經(jīng)歷豐富的警察搭檔爭分奪秒地從過(guò)去和假線(xiàn)索中尋找蛛絲馬跡，以抓獲一個(gè)以小女孩為犯罪對象的神秘連環(huán)殺手。

簡(jiǎn)介：25歲青年塞薩爾（Eduardo Noriega 飾）從早亡父母那里繼承的遺產(chǎn)使他衣食無(wú)憂(yōu)，頻繁的更換女友讓他在朋友圈里有不羈的名聲，但是最近塞薩爾被一名女子諾麗亞糾纏，為擺脫諾麗亞，塞薩爾求助于好友的女友索菲亞（Penélope Cruz 飾）。故事切換到監獄內，面容可怖的塞薩爾因涉嫌殺人被拘，醫生安東尼奧正誘使他說(shuō)出事情的經(jīng)過(guò)，原來(lái)諾麗亞在索菲亞家門(mén)外載到塞薩爾，路上發(fā)生了車(chē)禍導致后者毀容……塞薩爾從夢(mèng)中醒來(lái)與索菲亞在公園約會(huì )，但他很快又發(fā)現公園約會(huì )才是美夢(mèng)一場(chǎng)，醫生們對塞薩爾的面容無(wú)能為力，不久他在朦朧中簽訂了一份協(xié)議，院方的新設備奇跡般恢復了塞薩爾的容貌，但他卻發(fā)現索菲亞居然是自己虛構的人物，塞薩爾無(wú)法區分夢(mèng)境與現實(shí)，決定和安東尼奧一起找到事情的真相……　　本片獲1998年?yáng)|京電影節東京知事獎等多項專(zhuān)業(yè)褒獎。

簡(jiǎn)介：身為保險公司調查員的麥斯，因為找尋失蹤的客戶(hù)，而意外發(fā)現一間隱密在深山的旅館，專(zhuān)門(mén)以服務(wù)享受各種自殺幻想的顧客群為主?！　《斔烊肼灭^進(jìn)行調查之后，才發(fā)現這間旅館的經(jīng)營(yíng)另有蹊蹺，唯一能離開(kāi)的方式，只有真正的死亡……

簡(jiǎn)介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

簡(jiǎn)介：一位失業(yè)的廣告主管開(kāi)始跟蹤他以前房屋的新房客，而他的家庭動(dòng)機變得險惡。

簡(jiǎn)介：布宜諾斯艾利斯正遭遇熱浪侵襲，一架直升機掠過(guò)一片被隔離的居民區，并向居民發(fā)出疏散警告。與此同時(shí)，當地經(jīng)歷著(zhù)一系列微妙事件：快餐店的一名年輕人忽然以非自然的方式蜷縮成哺乳動(dòng)物的姿勢，屋子里毫無(wú)緣由地響起錯誤警報，陌生人時(shí)不時(shí)地在臨近的林子里焚燒垃圾，一名裸體男子在收費站撲向一輛汽車(chē)……影片入圍柏林電影節主競賽單元并提名最佳處女作。（小易甫字幕組）

簡(jiǎn)介：故事講述了商人伯莫死亡，推測他的死因是由于飛機失事，他的妻子麗薩因此發(fā)財。保險公司開(kāi)始對此事進(jìn)行調查的時(shí)候，他們開(kāi)始懷疑麗薩。他們派出調查員彼得去確定麗薩說(shuō)的是否屬實(shí)。后來(lái)麗薩死亡，保險金不見(jiàn)，一個(gè)又一個(gè)的人因此受害，大家將會(huì )看到調查員彼得將如何完成自己的任務(wù)。

簡(jiǎn)介：葡萄牙電影，入圍2017悉尼電影節。幽深的失魂森林，是葡萄牙的自殺勝地。某天，一個(gè)想要自殺的老人，遇見(jiàn)了同樣求死的女孩。老人和女孩，各自敞開(kāi)心扉，在赴死的邊緣猶豫。接著(zhù)，畫(huà)風(fēng)驟轉，女孩把老人切腹，大開(kāi)殺戒。貫穿全片的一句話(huà)是梵高的“悲傷永駐”。

簡(jiǎn)介：　　Krishna Dev aka KD, a laid back cop, works in AP HIT, has to take up a gruesome murder case. As KD unravels the layers of the crime, the stakes rise unbelievably high and the threat comes unusually close.

簡(jiǎn)介：Four insomniac med school students are lured into a neuroscience experiment that spirals out of control and must find a way out before it's too late.

簡(jiǎn)介：故事取材自1981年轟動(dòng)全美的真實(shí)謀殺案，兇手亞恩·夏安·約翰遜殺死房東后聲稱(chēng)自己是被邪靈附體才會(huì )行兇，是美國歷史上首個(gè)被告以「鬼上身」作抗辯理由的案例，因此稱(chēng)為「惡魔謀殺案」?！　?1歲男孩大衛被邪靈附體，陷入混沌狀態(tài)，經(jīng)?？匆?jiàn)怪獸惡魔坐在他喜歡的搖椅上，而他身上更出現 離奇傷痕…受驚且束手無(wú)策的家人請來(lái)沃倫夫婦介入調查，他們發(fā)現大衛被43只惡魔纏身，使乖巧的他行為變得異常，例如像野獸般在地上爬行、胡言亂語(yǔ)甚至背誦他沒(méi)有讀過(guò)的圣經(jīng)及《失樂(lè )園》章節…沃倫夫婦遂安排神父為大衛驅魔，可惜未見(jiàn)起色，而更詭異的事情接踵而來(lái)，大衛姐姐的未婚夫亞恩也開(kāi)始行為異常，數月后，亞恩更以利刀刺死了房東。華倫夫婦認為亞恩行兇時(shí)被惡靈附身，原來(lái)大衛進(jìn)行驅魔時(shí)，亞恩也在現場(chǎng)……

簡(jiǎn)介：

當父親在一次專(zhuān)業(yè)潛水中未能浮出水面時(shí)，一個(gè)親密的家庭就被打破了。沒(méi)有葬禮，沒(méi)有告別，只有滿(mǎn)屋子的回憶。梅雷爾背負著(zhù)難以捉摸的損失，逃避丈夫的死亡以及與之相關(guān)的一切。她的孩子們陷入了尋找答案的糾結中，最終讓這個(gè)家庭陷入了困境。梅雷爾別無(wú)選擇，只能以自己獨特的方式面對損失，一起開(kāi)始新的生活。

簡(jiǎn)介：Patrick Davenant invites a group of friends to visit a theater inside his villa, a place which later reveals itself as sinister. Within a short time, the guests realize that they are trapped in the villa. A merciless killer then begins to murder them one by one.